| G | Bm | Em | Em7 | C |
| (intro) |
| C | |
| G | Bm | Em | C | Em |
| I read the | news today, oh | boy, | about a | lucky man who |
| Am | Cmaj7 | |
| made the grade → |
| G | Bm | Em | C | F |
| And thought the | news were rather | sad, | well I just | had |
| Em | |
| to laugh | → [E?] |
| C | F | Em | Cmaj7 |
| I saw the | photograph |
| G | Bm | Em | C | Em |
| He blew his | mind out in a | car, | he didn't | notice that |
| Am | Cmaj7 | |
| the | lights had → changed |
| G | Bm | Em | C |
| A crowd of | people stood and | stared, | they'd seen his |
| F | |
| face before |
| Em |
| Nobody was really sure if [E?]he was from the House of |
| C | |
| Lords |
| G | Bm | Em | C | Em |
| I saw a | film today, oh | boy, | the england | army had just |
| Am | Cmaj7 | |
| won the war |
| G | Bm | Em | C | F |
| A crowd of | people turned a | way, | but I just | had to look |
| Em | C |
| Having [E?]read the | book |
| Bm | G | E | |
| I'd love to | turn .... | you .... [G?]on .... |
| E |
| Wake up, fell out of bed, dragged a combed across my |
| D | |
| head |
| E | F#m7 | E | |
| Found my | way downstairs and | dranked a cup, and | looking |
| F#m7 | |
| up I | noticed I w → as late |
| E |
| Grabbed my coat, and grabbed my hat, made the bus in |
| D | |
| seconds | flat |
| E | F#m7 | E | |
| Found my | way upstairs and | had a smoke, and | somebody |
| F#m7 | |
| spoke and I | went in → to a dream |
| C | G | D | A |
| Ahhhhh... |
| C | G | D | A | |
| Ahhhhh... |
| G | Bm | Em | C | Em |
| I read the | news today, oh | boy, | four thousand | holes in |
| Am | Cmaj7 | |
| Blackburn | Lac → anshire |
| G | Bm | Em | C |
| And though the | holes were rather | small, | they had to |
| F | |
| count them all |
| Em |
| Now they know how many holes it [E?]takes to fill the Albert |
| C | |
| Hall |
| Bm | G | E | |
| I'd love to | turn .... | you .... [G?]on .... |
| Chorus |
| G | C9 | G | F | |
| It's been A | Hard | Day's | Night and I've been | working like |
| G | |
| a | dog |
| C9 | G | F | |
| It's been A Hard | Day's | Night I should be | sleeping like a |
| G | |
| log |
| C | D | |
| But when I | get home to you I find the | things that you do |
| G | C9 | G | |
| will → make me | feel | al--- | right |
| You know I work all day to get you money to buy things |
| And It's worth it just to hear you say you're gonna give me |
| ev'rything |
| So why I love to come home 'Cause when I get you alone you |
| know I'll be O.K. |
| Bridge: |
| Bm | Em | Bm | |
| When I | home | ev'rything seems to be al | right |
| G | Em | C | |
| When I'm | home | feeling you holding me | tight, |
| D | |
| tight,yeah |
| Chorus |
| Solo |
| So why I love to come home 'Cause when I get you alone you |
| know I'll be O.K. |
| Bridge |
| Chorus |
| G | C9 | G | |
| You know I | feel | al--- | right |
| D | A |
| D | |
| Well, if your | hands start a'clappin' and your fingers |
| start a'poppin' and your feet start a'movin' around. |
| G7 | |
| And if you | start to swing and sway when the band starts to |
| D | |
| play a | real cool way out sound. |
| A7 | G7 | |
| And if you | get to can't help it and you | can't sit down |
| A7 | G7 | |
| You | feel like you gotta move a | round. |
| Chorus |
| G7 |
| You get a shot of Rhythm and Blues. |
| D | |
| With just a little Rock and | Roll on the side, just for |
| G7 | |
| good measure. → | Get a pair of dancin' shoes. |
| A7 | |
| Well, with your lover by your | side don't you know you're |
| gonna have a rockin' time, c'mon! |
| D | G7 | |
| Don't you | worry 'bout a thing if you | start to dance and |
| D | |
| sing → And | chills comin' up on you. |
| G7 | |
| And if the | rhythm finally gets you and the beat gets you |
| too |
| A7 | D | |
| Well, | here's something for you to | do. |
| Chorus |
| Get a shot of Rhythm and Blues. |
| With just a little Rock and Roll on the side, just for good |
| measure. → Get a pair of dancin' shoes. |
| Well, with your lover by your side don't you know you're |
| gonna have a rockin' time, c'mon! |
| Don't you worry 'bout a thing if you start to dance and |
| sing → And chills comin' up on you. |
| And if the rhythm finally gets you and the beat gets you |
| too |
| Well, here's something for you to do. |
| Chorus |
| G7 |
| Get a shot of Rhythm and Blues. |
| D |
| Get a pair of dancin' shoes. |
| G7 |
| Get a shot of Rhythm and Blues. |
| A7 | |
| Well, with your lover by your | side don't you know you're |
| gonna have a rockin' time, c'mon! |
| Don't you worry 'bout a thing if you start to dance and |
| sing → And chills comin' up on you. |
| And if the rhythm finally gets you and the beat gets you |
| too |
| A | D | |
| Well, | here's something for you to | do. |
| A | D | |
| Well, | here's something for you to | do. |
| A | D | A | D | A6 | |
| Well, | here's something for you to | do. |
| D | F#m |
| Words are flowing out like endless | rain into a paper cup |
| Em7 | A | |
| They | slither while they pass they slip | away across the |
| A7 | |
| Uni | verse. |
| D | F#m |
| Pools of sorrow, waves of joy are | drifting through my |
| Em7 | Gm | |
| opened mind → Pos | sessing and car | essing me |
| Chorus |
| D | Em7/A | A7 | |
| Jai Guru Deva | Om | nothing's gonna change my world, |
| G | A7 | |
| Nothing's gonna change my world, | nothing's gonna |
| change my world, |
| G | D | |
| Nothing's gonna change my | world |
| D | F#m |
| Images of broken light which | dance before me like a |
| Em7 | |
| million | eyes |
| A | A7 | |
| They call me on and on | across the Uni | verse. |
| D | F#m |
| Thoughts meander like a restless | wind inside a letterbox |
| Em7 | A | |
| They | tumble blindly as they make their | way across the |
| A7 | |
| Uni | verse. |
| Chorus |
| D | F#m |
| Sounds of laughter, shades of joy are | ringing through my |
| Em7 | A | A7 | |
| opened ears → In | citing and in | viting | me. |
| D | F#m |
| Limitless undying love which | shines around me like a |
| Em7 | |
| million | suns |
| A | A7 | |
| And calls me on and on a | cross the Uni | verse |
| Chorus |
| Dm | G7 | |
| Close your | eyes and I'll | kiss you |
| C | Am | |
| to | morrow I'll | miss you, |
| F | Dm | Bb | G | |
| re | member I'll a | lways be | true. |
| Dm | G | C | Am | |
| And then | while I'm | away I'll write | home every | day, |
| F | G7 | C | |
| and I'll | send all my | loving to | you. |
| Chorus → Chorus |
| Am | C+ | C | |
| All my | loving - | I will send to you |
| Am | C+ | C | |
| all my | loving, | Darling I'll be | true. |
| I'll pretend that I'm kissing |
| the lips I am missing |
| and hope that my dreams will come true. |
| And then while I'm away I'll write home every day, |
| and I'll send all my loving to you. |
| Chorus |
| Close your eyes and I'll kiss you, |
| tomorrow I'll miss you, → remember I'll always be true |
| And then while I'm away I'll write home every day, |
| and I'll send all my loving to you. |
| Chorus |
| F | C7 |
| One, two, three, four, | can I have a little more? |
| F | C7 | F |
| Five, six, seven, eight, nine, | ten, I love | you. |
| F | C7 |
| A, B, C, D, | can I bring a friend to tea? |
| F | C7 | F |
| E, F, G, H, I, J, | I love | you. |
| F | Bb | F |
| Bom, bom, bom, | bom-pa-bom, sail the ship, | bom-pa-bom, |
| chop the tree. |
| Bb | C7 |
| Bom-pa-bom, skip the rope, | bom-pa-bom, look at me. |
| F | C7 |
| All together now, all together now, | all together now, |
| F | |
| all together now... |
| Intro: |
| G | D | Em | G | D | Em | D7 | G |
| Love, | love, | love. | Love, | love, | love. | Love, | love, |
| D7 | |
| love. |
| G | D | Em |
| There's nothing you can | do that can't be | done. |
| G | D | Em |
| Nothing you can | sing that can't be | sung. |
| D7 | G | D7 |
| Nothing you can | say but you can learn how to | play the |
| game. It's easy. |
| There's nothing you can make that can't be made. |
| No one you can save that can't be saved. |
| Nothing you can do but you can learn how to be you in time. |
| It's easy. |
| Chorus |
| G | Am7 | D7 | G | Am7 | D7 |
| All you | need is | love, | all you | need is | love, |
| G | B7 | Em | G | C | D7 | C |
| All you | need is | love, | love, | love is | all you | need. |
| repeat Intro |
| Chorus |
| There's nothing you can know that isn't known. |
| Nothing you can see that isn't shown. |
| Nowhere you can be that isn't where, you're meant to be. |
| It's easy. |
| Chorus |
| All you need is love (all together now) |
| All you need is love (everybody) |
| All you need is love, love, love is all you need. |
| Em | Bm | Em | Bm |
| I give her | all my love → | That's all I | do |
| Em | Bm | G | A |
| And if you | saw my love → | You'd love her | too |
| D | |
| I | love her |
| Em | Bm | Em | Bm |
| She gives me | everything → | And tender | ly |
| Em | Bm | G | A |
| The kiss my | lover brings → | She brings to | me |
| D | |
| And I | love her |
| Bm | D | Bm | A |
| A love like | ours, | could never | die |
| Bm | A |
| As long as | I have you near me[A+D] |
| Em | Bm |
| Bright are the | stars that shine |
| Em | Bm | Em | Bm |
| Dark is the | sky → | I know this | love of mine |
| G | A | D |
| Will never | die → And I | love her. |
| REPEAT LAST VERSE |
| Intro (play twice... also play over D-Bm sections of |
| verses): → Verse 1: |
| D | Bm | D | Bm | D | |
| A | nna | you come and ask | me girl | to set you f | ree |
| Bm | |
| girl |
| D | Bm | Em | |
| You say he loves you m | ore than | me so I will s | et you |
| A7 | |
| f | ree |
| D | Bm | D | Bm | |
| Go with h | im (A | nna) Go with h | im |
| Verse 2: |
| D | Bm | D | Bm | D | |
| A | nna | girl before you | go now | I want you to k | now |
| Bm | |
| now |
| D | Bm | Em | A7 | |
| That I still l | ove you | so but if he l | oves you m | ore |
| D | |
| Go with h | im |
| Middle: |
| G | |
| A | ll of my life I've been searching for a girl |
| D | |
| Who'll l | ove me like I love her |
| G | Gm | |
| But | every girl I've ever had | breaks my heart and leave |
| me sad |
| E7 | A7 | |
| W | hat am I what am I supposed to | do oh... |
| Verse 3: |
| D | Bm | D | Bm | |
| A | nna | just one more th | ing girl |
| D | Bm | Em | |
| You give back your r | ing to | me and I will | set you |
| A7 | D | |
| fr | ee → Go with h | im |
| Repeat middle part → Repeat verse 3 |
| then... |
| Bm | D | Bm | |
| Ending: → (A | nna) Go with h | im (A | nna) |
| D | Bm | D | |
| You can go with h | im girl (A | nna) Go with h | im |
| E | B7 | A | B7 |
| Oh dear, | what can I do, | baby's in black, and | I'm |
| E | A | E | B7 | |
| feeling blue → Tell me | oh, | what can I | do |
| E | E7 | A |
| She thinks of him and | so she dresses in | black |
| A | E | B7 | |
| And | though he'll never come | back | she's dressed in |
| E | |
| black |
| E | B7 | A | B7 |
| Oh dear, | what can I do, | baby's in black, and | I'm |
| feeling blue |
| E | A | E | B7 | |
| Tell me | oh, | what can I | do |
| E | E7 | A |
| I think of her, but | she thinks only of | him |
| A | E | B7 | E | |
| And | though it's only a | whim | she thinks of | him |
| C#m | F# | A | B7 |
| Oh how | long will it take / | till she | sees the mistake |
| she has |
| E | B7 | A | B7 |
| Oh dear, | what can I do | baby's in black, and | I'm feeling |
| E | A | E | B7 | |
| blue → Tell me | oh, | what can I | do |
| E | E7 | A |
| She thinks of him and | so she dresses in | black |
| A | E | B7 | |
| And | though he'll never come | back | she's dressed in |
| E | |
| black |
| E | B7 | A | B7 |
| Oh dear, | what can I do | baby's in black, and | I'm feeling |
| E | A | E | B7 | |
| blue → Tell me | oh, | what can I | do |
| A | D | C |
| Flew in from Miami Beach B | OAC, did | n't get to bed last |
| D | |
| nig | ht |
| A | D | C | |
| On | the way a paperback was | on my knee, man | I had a |
| D | |
| dreadful fli | ght |
| Chorus |
| D | A | C | |
| I'm back in the USS | R | you don't know how lucky you |
| D | |
| are | , boy |
| D | A | D | Eb | E | |
| Back in the USSR |
| A | D | C |
| Been away so long I hardly | knew the place, | gee it's good |
| D | |
| to be back | home |
| A | D | C |
| Leave it till tomorrow to un | pack my case, | honey |
| D | |
| disconnect the | phone |
| Chorus |
| D/E | G/E | |
| Back in the US, | back in the US, back in the USSR |
| Bridge |
| A | D | A |
| Well the Ukraine girls re | ally knock me out, they | leave |
| the west behind |
| D | F#m/C# | Am/C | B7 | |
| And | Moscow | girls make me | sing and shout |
| E7 | D7 | |
| That | Georgia's always on my-mi-mi- | mi-mi-mi-mi-mi-mi-mind |
| A | |
| A | D |
| Show me round your snow peaked mountains | way down south, |
| C | D | |
| take me to your daddy's | farm |
| A | D | C |
| Let me hear you balalaikas | ringing out, | come and keep |
| D | |
| your comrade | warm |
| Chorus |
| A | A | D | A | E | A | |
| Intro: |
| A | A |
| You say it's your birthday | it's my birthday too, yeah |
| D | A |
| They say it's your birthday | we're gonna have a good |
| time |
| E | A |
| I'm glad it's your birthday | Happy birthday to you |
| E |
| Yes we're going to a party, party |
| E |
| Yes we're going to a party, party |
| E |
| Yes we're going to a party, party |
| Chorus |
| C | G | |
| (birthday) I would | like you to dance |
| C | G | |
| (birthday) take a | cha-cha-cha-chance |
| C | G | |
| (birthday) I would | like you to dance |
| C | G | E7 | |
| (birthday) da-da-da.. | Dance |
| repeat intro riff |
| A | A | |
| riff: |
| Chorus |
| repeat intro riff |
| A | A |
| You say it's your birthday | it's my birthday too, yeah |
| D | A |
| They say it's your birthday | we're gonna have a good |
| time |
| E | A | A | A |
| I'm glad it's your birthday | Happy birthday to you |
| A | |
| G | C | G |
| Blackbird s | inging in the d | ead of night, |
| C | A7 | Am7 | D#dim | Em | G+ |
| Take these b | roken w | ings and | learn to f | ly. |
| G | A9 | C | Cm |
| All y | our l | ife, |
| G | G | A7 | C | D9 | G |
| You were only w | aiting for this m | oment | to ar | ise. |
| G | C | G |
| Blackbird s | inging in the d | ead of night, |
| C | A7 | Am7 | D#dim | Em | G+ |
| Take these s | unken | eyes and | learn to s | ee. |
| G | A9 | C | Cm |
| All y | our l | ife, |
| G | A7 | C | D9 | G |
| You were only w | aiting for this m | oment | to be f | ree. |
| F | Em | Dm | C | Bb | C |
| Bl | ack | - bir | d, | fly. |
| F | Em | Dm | C | Bb | A7 |
| Bl | ack | - bir | d, | fly... |
| Dm | Dm7 | G | C | G | C | G | |
| Into the l | ight of a | dark, black n | igh | t. |
| Intro: |
| G#m | C#m | G#m | C#m | |
| Can't buy me l | ove | , l | ove | , can't buy me |
| F#m7 | B7 | |
| l | o------v | e. |
| E | E7 | |
| I'll | buy you a diamond ring my friend, if it | makes you |
| feel alright. |
| A7 | E | |
| I'll | get you anything my friend, if it | makes you feel |
| alright. |
| B7 | A7 | B7 | |
| For | I don't care too | much for money, for | money can't |
| A7 | E | |
| buy me | love. |
| I'll give you all I've got to give, if you say you love me |
| too. |
| I may not have a lot to give but what I've got I give to |
| you. |
| For I don't care too much for money, for money can't buy me |
| love. |
| Chorus |
| G#m | C#m | A7 | |
| Can't buy me l | ove | , e | v'rybody tells me so. |
| E | G#m | C#m | F#m7 | B7 |
| Can't buy me l | ove | , | no, no, no, | no. |
| Say you don't need no diamond ring and I'll be satisfied. |
| Tell me that you want those kind of things that money just |
| can't buy. |
| For I don't care too much for money, for money can't buy me |
| love. |
| repeat Intro |
| Em | Am | Em | Am | |
| Can't buy me lov | e | lov | e |
| Dm7 | G7 | |
| Can't buy me lov | e |
| C | C | |
| I'll b | uy you a diamond ring | my friend |
| if it makes you feel allright |
| F7 | |
| I'll get | you anything my friend |
| C | C | |
| if it m | akes you feel allright |
| G7 | F7 | |
| For | I don't care too | much for money |
| G7 | F7 | C | |
| for m | oney can't b | uy me love |
| C | C | |
| I'll g | ive you all I've got | to give |
| F7 | |
| if you say you love me too → I may | not have a lot to give |
| C | C | |
| but what I've g | ot I'll give to you |
| G7 | F7 | |
| For | I don't care too | much for money |
| G7 | F7 | C | |
| for m | oney can't b | uy me love |
| C | Em | Am | F7 | C |
| Can't by me love | → Ev | 'ry body tells me so |
| Em | Am | Dm7 | G7 | |
| Can't by me love | → N | o, no, no, | no. |
| C | C | |
| S | ay you don't need no dia | mond ring |
| and I'll be satisfied |
| F7 | |
| Tell m | e that you want those kind of things |
| C | |
| that m | oney just can't buy |
| G7 | F7 | |
| For | I don't care too | much for money |
| G7 | F7 | C | |
| for mo | ney can't b | uy me love |
| Em | Am | Em | Am | |
| Can't buy me love | , | love |
| Dm7 | G7 | C | |
| Can't buy me love | , love. |
| D | D7 |
| Christmastime is here again, Christmastime is | here |
| again, |
| G | D |
| Christmastime is here again, | Christmastime is here |
| again, |
| A7 |
| It's been 'round since you know when. |
| D |
| Christmastime is here again, |
| A7 | |
| O-U-T spells " | out". |
| Christmastime is here again, Christmastime is here again, |
| Christmastime is here again, Christmastime is here again, |
| It's been 'round since you know when. |
| Christmastime is here again, |
| O-U-T spells "out". |
| G | G | |
| Well, I got a baby | ... crazy for me. |
| G7 | |
| Yeah, I got a baby | ... won't let me be. |
| C7 | |
| Chorus → Woh, | baby baby, Clarabella. |
| G | D7 | C7 | G |
| Baby baby, Clarabella. → | Baby baby, | wo-wo, ye | ah-uh. |
| G | G | |
| Well, she needs | no coachin' on | makin' love. |
| G7 | |
| All she needs is the | stars up above. |
| C7 | |
| Chorus → Woh, | baby baby, Clarabella. |
| G | D7 | C7 | G |
| Baby baby, Clarabella. → | Baby baby, | wo-wo, ye | ah-uh. |
| D7 |
| Ahh! woo-hoo. |
| solo: |G | | | |C7 | |G | |D7 |C7 |G | |
| G | |
| Well now, Clar | abella. |
| G7 | |
| You're my honey, Clarabella. | Ooh- |
| C | |
| Yeah now, Cl | arabella. |
| G | |
| I said you're my baby, | Clarabella. |
| D | C7 | G | D7 | |
| Yeah, Clara | bella, baby. | Wo-wo, | yeah-yeh. |
| G | G | |
| Well, | she's got no time for | 'a dungeries. |
| G7 | |
| Already knows | her ABC's. |
| Chorus → Woh, baby baby, Clarabella. |
| Baby baby, Clarabella. → Baby baby, wo-wo, yeah-yeh. |
| Ahh! woo. |
| solo |
| Well now, Clarabella. Yeah. |
| You're my honey, Clarabella. Woo ooh- |
| You're my baby, Clarabella. You're my honey, Clarabella. |
| G9 | |
| Yeah, Clarabella, baby. Wo-wo, yeah-heh-yeah, oh-yeah. |
| Dm |
| Here come old flat top, He come grooving up slowly, |
| Dm |
| He got Joo Joo eyeball, He one holy roller |
| A7 | |
| He got | hair down to his knee; |
| G7 |
| Got to be a joker, he just do what he please. |
| Play riff |
| Dm |
| He wear no shoe shine, he got toe jam football |
| Dm |
| He got monkey finger, he shoot co-ca cola |
| A7 | |
| He say, | "I know you, you know me." |
| G7 |
| One thing I can tell you is you got to be free |
| Bm | G | |
| Come | Together, Right | now, over me |
| Play riff |
| Dm |
| He bag production, He got wal-rus gumboot |
| Dm |
| He got O-no sideboard, He one spinal cracker |
| A7 | |
| He got | feet down below his knee |
| G7 |
| Hold you in his armchair, you can feel his disease |
| Bm | G | |
| Come | together, right | now, over me |
| Play riff |
| Dm |
| He roller coaster, he got early warning |
| Dm |
| He got muddy water, He one Mo-jo filter |
| A7 | |
| He say, | " One and one and one is three." |
| G7 |
| Got to be good looking 'cause he so hard to see |
| Bm | |
| Come | together, Right now, over me |
| G | Am | F | G |
| Cry baby | cry | make your mother si | gh |
| Em7 | A7 | F | |
| she's | old enough to know | better |
| Em | Em7 | |
| The | king of [Em+7]Marigold was in the kit | chen cooking |
| Em6 | C7 | G | |
| breakfast for the qu | een. |
| Em | Em7 | |
| The | queen was in the [Em+7]parlour playing pi | ano for the |
| Em6 | C7 | |
| chil | dren of the ki | ng. |
| Chorus |
| G | Am | F | G |
| Cry baby | cry | make your mother si | gh |
| Em7 | A7 | F | G | |
| she's | old enough to know bet | ter so cr | y baby cr | y. |
| The king was in the garden picking flowers for a friend who |
| came to play. |
| The queen was in the playroom painting pictures for the |
| childrens holiday. |
| chorus |
| The duchess of Kircaldy always smiling and arriving late |
| for tea. |
| The duke was having problems with a message at the local |
| bird and bee. |
| chorus |
| At twelve o'clock a meeting round the table for a seance in |
| the dark. |
| With voices out of nowhere put on specially by the children |
| for a lark. |
| chorus |
| G | Am | F |
| Cry cry | cry baby | make ... |
| G | Am | F | G |
| Cry cry | cry baby | make your mother si | gh |
| Em7 | A7 | F | Em | |
| she's | old enough to know bet | ter so | cry baby | cry. |
| D | D/C | D/B | D/A# | D | |
| Dear | Prudence | won't you come out | to |
| D/C | D/B | D/A# | |
| play |
| D | D/C | D/B | D/A# | D | |
| Dear | Prudence | greet the brand | new |
| D/C | D/B | D/A# | |
| day |
| D | D/C | D/B | D/A# | |
| The | sun is up, the | sky is blue it's | beautiful, and | so |
| are you |
| D | D/C | C | G | D | D/C | D/B | |
| Dear | Prudence | won't | you | come out to | play |
| D/A# | |
| D | D/C | D/B | D/A# | D | D/C | |
| Dear | Prudence | open up your | eyes |
| D/B | D/A# | |
| D | D/C | D/B | D/A# | D | D/C | |
| Dear | Prudence | see the sunny | skies |
| D/B | D/A# | |
| D | D/C | D/B | |
| The | wind is low, the | birds will sing that | you are part |
| D/A# | |
| of everything |
| D | D/C | C | G | D | D/C | D/B | |
| Dear | Prudence | won't | you | open up your | eyes |
| D/A# | |
| D | G/D | A/D | G/D | D | G/D | A/D | G/D |
| Look a | round roun | d | → | Look a | round roun | d |
| D | F | G# | G | D |
| Look a | round | ______ | _______ |
| D | D/C | D/B | D/A# | D | D/C | |
| Dear | Prudence | let me see you | smile |
| D/B | D/A# | |
| D | D/C | D/B | D/A# | D | D/C | |
| Dear | Prudence | like a little | child |
| D/B | D/A# | |
| D | D/C | D/B | |
| The | the clouds will be | a daisy chain | so let me see you |
| D/A# | |
| smile again |
| D | D/C | C | G | D | D/C | D/B | |
| Dear | Prudence | won't | you | let me see you | smile |
| D/A# | |
| Chorus 4/4 time |
| E | F#m | F#m7 | Amaj7/B | E |
| Don't let me | down | Don't let me | down |
| F#m | F#m7 | Amaj7/B | Esus4 | E | |
| Don't let me | down | Don't let me | down |
| Verse 5/4 time |
| E | F#m7 | F#m/B |
| Nobody ever loved me like she | does oo she does | yes she |
| E | Esus4 | |
| doe | s |
| E | F#m |
| And if somebody ever loved me like she | do me oo she do |
| F#m/B | E | Esus4 | |
| me, | yes she | doe | s |
| Chorus |
| And from the first time that she really done me oo she done |
| me, she done me good. |
| I guess nobody ever really done me, oo she done me, she |
| does me good |
| Chorus |
| Bridge 4/4 time |
| E |
| I'm in love for the first time Don't you know it's gonna |
| B | |
| last. |
| B7 | |
| It's a love that lasts for | ever, It's a love that had no |
| E | A | E | |
| past |
| Chorus |
| Am7 | D | Am7 |
| Asked a girl what she | wanted to be | and she said baby, |
| D | |
| can't you see |
| Am7 | D | Em |
| I want to be famous, a | star on the screen | but you can do |
| something in [Em7+]between |
| Chorus |
| F#m7 | Am7 | Bm7 | Cm7 | |
| Baby you can drive my | car |
| Bm7 | Am7 | |
| F#m7 | Am7 | Bm7 | Cm7 | Bm7 | |
| Yes I'm gonna be a | star |
| Am7 | |
| F#m7 | Am7 | Bm7 | |
| Baby you can drive my | car and | maybe I [Em7+]love you |
| Am7 | D | Am7 |
| I told that girl that my | prospects were good | and she |
| D | |
| said baby, it's | understood |
| Am7 | D | Em |
| Working for peanuts is | all very fine | but I can show you |
| a [Em7+]better time |
| Chorus |
| Solo over verse |
| Chorus |
| Am7 | D | Am7 |
| I told that girl that I could | start right away | and she |
| D | |
| said listen babe I've got | something to say |
| Am7 | D | Em |
| I got no car and it's | breakin' my heart | but I've got a |
| Em7 | |
| driver and [Em7+]that's a start |
| Chorus |
| Bb | C7 | Eb | Bb |
| Ooh, I need your | love, babe, | guess I know it's | true |
| C7 | Eb | Bb | |
| Hope you need my | love, babe, | just like I need | you |
| Gm | Eb | Gm | Eb |
| Hold me, | love me, | hold me, | love me |
| Bb | C7 | Eb | Bb |
| Ain't got nothing but | love, babe, | eight days a | week |
| Bb | C7 | Eb | Bb |
| Love you every | day, girl, | always on my | mind |
| C7 | Eb | Bb | |
| One thing I can | say, girl, | love you all the | time |
| Gm | Eb | Gm | Eb |
| Hold me, | love me, | hold me, | love me |
| Bb | C7 | Eb | Bb |
| Ain't got nothing but | love, babe, | eight days a | week |
| Chorus |
| F | Gm |
| Eight days a week, I lo | ve you |
| C7 | Eb | F7 |
| Eight days a week, is | not enough to | show I care |
| Bb | C7 | Eb | Bb |
| Ooh, I need your | love, babe, | guess I know it's | true |
| C7 | Eb | Bb | |
| Hope you need my | love, babe, | just like I need | you |
| Gm | Eb | Gm | Eb |
| Hold me, | love me, | hold me, | love me |
| Bb | C7 | Eb | Bb |
| Ain't got nothing but | love, babe, | eight days a | week |
| Repeat chorus and fade |
| C | D7 | F | C |
| Ooh, I need your | love, babe, | guess I know it's | true |
| D7 | F | C | |
| Hope you need my | love, babe, | just like I need | you |
| Am | F | Am | D7 |
| Hold me, | love me, | hold me, | love me |
| C | D7 | F | C |
| Ain't got nothing but | love, babe, | eight days a | week |
| C | D7 | F | C |
| Love you every | day, girl, | always on my | mind |
| D7 | F | C | |
| One thing I can | say, girl, | love you all the | time |
| Am | F | Am | D7 |
| Hold me, | love me, | hold me, | love me |
| C | D7 | F | C |
| Ain't got nothing but | love, babe, | eight days a | week |
| Chorus |
| G | Am | |
| Eight days a week, I lo | ve you |
| D7 | F | G7 | |
| Eight days a week, is | not enough to | show I care |
| C | D7 | F | C |
| Ooh, I need your | love, babe, | guess I know it's | true |
| D7 | F | C | |
| Hope you need my | love, babe, | just like I need | you |
| Am | F | Am | D7 |
| Hold me, | love me, | hold me, | love me |
| C | D7 | F | C |
| Ain't got nothing but | love, babe, | eight days a | week |
| Repeat chorus and fade |
| Bb | Dm |
| Ah, look at all the lonely | people! |
| Bb | Dm |
| Ah, look at all the lonely | people! |
| Dm |
| Eleanor Rigby, |
| Bb6 | |
| Picks up the rice in a church where a wedding has bee | n, |
| Dm | Dm | |
| Lives in a drea | m. → | Waits at the window, |
| Bb6 | |
| Wearing the face that she keeps in a jar by the doo | r, |
| Dm | |
| Who is is fo | r? |
| Dm7 | Dm6 | |
| All the lonely | people, |
| Bb | Dm | |
| Where | do they all come | from? |
| Dm7 | Dm6 | |
| All the lonely | people, |
| Bb | Dm | |
| Where | do they all bel | ong? |
| Father McKenzie, |
| Writing the words of a sermon that no one will hear, |
| No one comes near. → Look at him working, |
| Darning his socks in the night when there's nobody there, |
| What does he care? |
| All the lonely people, |
| Where do they all come from? |
| All the lonely people, |
| Where do they all belong? |
| Eleanor Rigby, |
| Died in the church and was buried along with her name, |
| Nobody came. → Father McKenzie, |
| Wiping the dirt from his hands as he walks from the grave, |
| No one was saved. |
| All the lonely people, |
| Where do they all come from? |
| All the lonely people, |
| Where do they all belong? |
| G | Em | G | |
| If there's | anything that you | want; if there's | anything I |
| D7 | |
| can | do, |
| C7 | Em | C | |
| just | call on me and I'll | send it along with lo | ve from |
| D7 | G | |
| me to | you. |
| G | Em | G | |
| If there's | anything that you | want, like a | heart that's, |
| D7 | |
| oh, so | true, |
| C7 | Em | C | |
| just | call on me and I'll | send it along with lo | ve from |
| D7 | G | |
| me to | you. |
| Dm7 | G7 | C | |
| I got | arms that long to | hold you and | keep you by my |
| side. |
| Em7 | A7 | D7 | |
| I got | lips that long to | kiss you and | keep you |
| [D7+]satisfied. |
| G | Em | G | |
| If there's | anything that you | want; if there's | anything I |
| D7 | |
| can | do, |
| C7 | Em | C | |
| just | call on me and I'll | send it along with lo | ve from |
| D7 | G | |
| me to | you. |
| Chords used: |
| A |
| Jojo was a man who thought he was a loner, |
| D | A | G | D |
| But he knew it couldn't | last. |
| A |
| Jojo left his home in Tuscon, Arizona |
| D | A | G | D |
| For some California | grass |
| A | |
| Chorus → | Get back, get back |
| D | A | G | D | |
| Back to where you once be | longed |
| A | |
| Get back, get back |
| D | |
| Back to where you once belonged - Get back Jo! |
| Electric Piano solo - same chords as verse |
| Chorus |
| Sweet Loretta Martin thought she was a woman, |
| But she was another man. |
| All the girls around her said she's got it comin', |
| But she gets it while she can. |
| Chorus |
| [Fmaj7(V)] |
| C | F/G |
| It's getting better all the | time |
| G | C/G | G | C/G | |
| I | used to get | mad at my | school (No, I | can't complain) |
| G | C/G | G | C/G | |
| The | teachers that | taught me weren't | cool (No, I | can't |
| complain) |
| G | C/G | G | C/G | |
| You're | holding me | down, | turning me | around |
| G | C/G | G | C/G | G |
| Filling me | up with your | rules |
| Chorus: |
| C | F | |
| I've | got to admit it's getting | better |
| Em | F | |
| A little | better all the | time |
| C | F | |
| I | have to admit it's getting | better |
| Em | F | Fmaj7 | G | |
| It's getting | better since you' | ve been | mine |
| C | G | C/G | G | C/G |
| Me us | ed to be | angry young | man |
| G | C/G | G | C/G | |
| Me hi | ding me | head in the | sand |
| G | C/G | G | C/G | |
| You | gave me the | word I | finally | heard |
| G | C/G | G | |
| I'm | doing the | best that I | can ... |
| Chorus |
| Bridge: |
| F | C/E | F | C/E | F | C/E | F | C/E | C |
| Ge | tting | so | much | bet | ter | all | the | time |
| C | F | Em |
| It's getting better all the | time, | better, better, |
| Fmaj7 | |
| better |
| C | F | Em |
| It's getting better all the | time, | better, better, |
| Fmaj7 | G | |
| better |
| G | |
| I | used to be cruel to my woman |
| I beat her and kept her apart from the things that she |
| G | F | C | G | |
| loved |
| Man I was mean but I'm changing my scene |
| And I'm doing the best that I can |
| Chorus #2: → I admit it's getting better |
| A little better all the time (can't get no worse) |
| Yes, I admit it's getting better |
| It's getting better since you've been mine ... |
| Bridge |
| F | C/E | F | C/E | F | C/E | F | F/G | C |
| Ge | tting | so | much | be | tter | all | the | time |
| Am | E | C | Am | |
| Is there | anybody | going to listen | to my | story |
| Dm | G7 | C | E |
| all about a | girl who came to | stay? |
| Am | E | C | |
| She's the | kind of girl you | want so much it | makes you |
| Am | |
| sorry |
| Dm | G7 | C | E |
| still, you don't re | gret a single | day |
| C | Am | Dm | G7 | C | Am | Dm | G7 | |
| Ah, | gi--- | ----- | ----- | rl! | gi--- | ---- | ---- | rl! |
| Am | E | C | |
| When I | think of all the | times I've tried so | hard to |
| Am | |
| leave her |
| Dm | G7 | C | E |
| She will turn to | me and start to | cry |
| Am | E | C | Am | |
| And she | promises the | earth to me and | I be | lieve her. |
| Dm | G7 | C | E |
| After all this | time I don't know | why. |
| C | Am | Dm | G7 | C | Am | Dm | G7 | |
| Ah, | gi--- | ----- | ----- | rl! | gi--- | ---- | ---- | rl! |
| Bridge |
| Dm | A7 | |
| She's the kind of girl | who puts you | down |
| Dm | |
| when friends are there, you feel a | fool. |
| A7 | |
| Tit tit tit | dTittittittit Tittittittit |
| Dm | |
| When you say she's looking good |
| A7 | |
| she | acts as if it's unterstood. |
| Dm | F | |
| She's | cool, cool, | cool, cool. |
| C | Am | Dm | G7 | C | Am | Dm | G7 | |
| Gi--- | ----- | ----- | rl! | gi--- | ---- | ---- | rl! |
| Am | E | C | |
| Was she | told when she was | young that fame would | lead to |
| Am | |
| pleasure? |
| Dm | G7 | C | E |
| Did she under | stand it when they | said |
| Am | E | C | |
| That a | man must break his | back to earn his | day of |
| Am | |
| leisure? |
| Dm | G7 | C | E |
| Will she still be | lieve when he's | dead? |
| C | Am | Dm | G7 | C | Am | Dm | G7 | |
| Ah, | gi--- | ----- | ----- | rl! | gi--- | ---- | ---- | rl! |
| Am7 | Dm7 |
| Once there was a way to get back | homeward |
| G7 | C |
| Once there was a way to get back | home |
| Em | Am | Dm7 | G7 |
| Sleep pretty | darling, do not | cry | and I will sing a |
| C | |
| lulla | bye |
| Fmaj7 | C | Fmaj7 |
| Golden slumbers fill your | eyes, | smiles awake when you |
| C | |
| rise |
| Em | Am7 | Dm7 | G7 |
| Sleep pretty | darling, do not | cry, | And I will sing a |
| C | |
| lulla | bye |
| Am7 | Dm7 |
| Once there was a way to get back | homeward |
| G7 | C |
| Once there was a way to get back | home |
| Em | Am | Dm7 | G7 |
| Sleep pretty | darling, do not | cry | and I will sing a |
| C | |
| lulla | bye |
| Fmaj7 | C | Fmaj7 |
| Golden slumbers fill your | eyes, | smiles awake when you |
| C | |
| rise |
| Em | Am7 | Dm7 | G7 |
| Sleep pretty | darling, do not | cry, | And I will sing a |
| C | |
| lulla | bye |
| G | D | G | D | C7 |
| Good day | sunshine, | good day | sunshine, | good day |
| sunshine. |
| F | Dm7 | G7 | C7 | |
| I need to | laugh | and when the | sun is out, | I've got |
| F | |
| someting I can | laugh about. |
| C7 | F | Dm7 | G7 | C7 |
| I feel | good | in a sp | ecial way, | I'm in love, and it's |
| F | |
| a | sunny day. |
| G | D | G | D | C7 |
| Good day | sunshine, | good day | sunshine, | good day |
| sunshine. |
| We take a walk, the sun is shining down, burns my feet as |
| they touch the ground. |
| Good day sunshine, good day sunshine, good day sunshine. |
| And then we lie beneath a shady tree, I love her and she's |
| loving me. |
| She feels good, she knows she's looking fine. |
| I'm so proud to know that she's mine. |
| G | D | G | D | G |
| Good day | sunshine, | good day | sunshine, | good day |
| D7 | |
| sunshine. |
| G | D7 | G | D7 |
| Good day | sunshine, | good day | sunshine. |
| Chords used: |
| C | G | D7 | Em | D7 |
| You say yes, | I say no, | you say stop, | I say go, go, | go |
| Em | |
| D7 | G | D7 | C | G | |
| Oh | no. You | say good | bye and | I say hel | lo, hello, hello |
| C | Eb | G | |
| I don't know | why you say good | bye, I say hel | lo, hello, |
| hello |
| C | F | G | |
| I don't know | why you say good | bye, I say hel | lo |
| C | G | D7 | Em |
| I say high, | you say low, | you say why, and | I say I don't |
| D7 | Em | |
| know |
| D7 | G | D7 | C | G | |
| Oh | no. You | say good | bye and | I say hel | lo, hello, hello |
| C | Eb | G | |
| I don't know | why you say good | bye, I say | hello, hello, |
| hello |
| C | F | G | |
| I don't know | why you say good | bye, I say hel | lo |
| C | G | D7 | Em |
| Why, why, why, | why, why, why, | do you say good | bye, |
| D7 | Em | |
| goodbye, bye, | bye |
| D7 | G | D7 | C | G | |
| Oh | no. You | say good | bye and | I say hel | lo, hello, hello |
| C | Eb | G | |
| I don't know | why you say good | bye, I say | hello, hello, |
| hello |
| C | F | G | |
| I don't know | why you say good | bye, I say hel | lo |
| C | G | D7 | Em | D7 |
| You say yes, | I say no, | you say stop, | I say g | o, go, |
| Em | |
| go. |
| D7 | G | D7 | C | G | |
| Oh, oh | no. You | say good | bye and | I say hel | lo, hello, |
| hello |
| C | Eb | G | |
| I don't know | why you say good | bye, I say | hello, hello, |
| hello |
| C | F | G | |
| I don't know | why you say good | bye, I say hel | lo, hello, |
| hello |
| C | Eb | G | |
| I don't know | why you say good | bye, I say | hello, hello, |
| hello → I say hello, hello, hello |
| Hm | G |
| Help! I need somebody | Help! not just anybody |
| E7 | A |
| Help! You know i need someone | HELP! |
| First verse: |
| A | C#m |
| When I was young oh so much | younger than today |
| F#m | D | G | A |
| I never needed anybody's | help in | any | way |
| C#m | |
| But now these day have gone and I'm | not so self assured |
| F#m | D | G | A |
| And now I find I need you like I've | never | done be | fore |
| Chorus |
| Hm |
| Help me if you can I'm feeling down |
| G | |
| And I | do appreciate your being 'round |
| E7 |
| Help me get my feet back on the ground |
| A | A | |
| Won't you | please please help | me? |
| Second Verse: |
| A | C#m |
| And now my life has changed in | oh so many ways |
| F#m | D | G | A |
| My independence seems to | vanish in | the | haze |
| C#m | |
| But every now and then I | feel so insecure |
| F#m | D | G | A |
| And now I find I need you like I've | never | done be | fore |
| Repeat Chorus |
| Repeat first verse |
| Repeat Chorus until last line, then: |
| A | F#m | |
| Won't you | please please help | me |
| A | A6 | |
| Help me Help | me. O | ohm. |
| G |
| Little darling, |
| C | D7 | |
| It's been a l | ong, cold, lonely w | inter. |
| G |
| Little darling, |
| C | D7 | |
| It feels like y | ears since it's been h | ere. |
| G | C | A7 | |
| Here comes the sun. → | Here comes the s | un, |
| G | C | G | C | G | D7 | |
| And I say | , it's all right. |
| G | G7 | |
| Little darling, |
| The smiles returning to their faces. |
| Little darling, |
| It feels like years since it's been here. |
| Here comes the sun. → Here comes the sun, |
| And I say, it's all right. |
| Little darling, |
| I feel that ice is slowly melting. |
| Little darling, |
| It feels like years since it's been clear. |
| Here comes the sun. → Here comes the sun, |
| And I say, it's all right. |
| F | Gm7 | Am7 | Bb | F | Gm7 |
| He | re, | making each | day of the | year |
| Am7 | Bb | Em7 | A7 |
| Changing my | life with a | wave of her | hand |
| Em7 | A7 | Dm | Gm | Gm7 | C7 |
| Nobody | can de | ny that there's | something th | ere |
| F | Gm7 | Am7 | Bb | F | Gm7 |
| The | re, | running my | hand through her | hair |
| Am7 | Bb | Em7 | A7 |
| Both of us | thinking how | good it can | be |
| Em7 | A7 | Dm | Gm | Gm7 |
| Someone is | speaking but | she doesn't | know he's | there |
| Eb | |
| Ab | Fm | |
| Bridge → I want her | everywhere |
| Bbm | C7 | Fm | |
| And if | she's beside me | I know I need | never care |
| Bb | C7 |
| But to love her | is to meet her |
| F | Gm7 | Am7 | Bb | F | Gm7 |
| Ev'ry | where | knowing that | love is to | share |
| Am7 | Bb | Em7 | A7 |
| Each one be | lieving that | love never | dies |
| Em7 | A7 | Dm | Gm | Gm7 | C7 |
| Watching her | eyes and | hoping I'm | always | there |
| Gm7 | F | Gm7 | Am7 | Bb | |
| And | will be | the | re, and | every | where |
| F | Gm7 | Am7 | Bb | F |
| here, | there, and | every | where |
| G | Bm | Bb | Am | D7 |
| To lead a | better life | I need my love to be here |
| G | Am7 | Bm7 | C | G | Am7 |
| He | re, | making each | day of the | year |
| Bm7 | C | F#m7 | B7 |
| Changing my | life with a | wave of her | hand |
| F#m7 | B7 | Em | Am | Am7 | D7 |
| Nobody | can de | ny that there's | something th | ere |
| G | Am7 | Bm7 | C | G | Am7 |
| The | re, | running my | hand through her | hair |
| Bm7 | C | F#m7 | B7 |
| Both of us | thinking how | good it can | be |
| F#m7 | B7 | Em | Am | Am7 |
| Someone is | speaking but | she doesn't | know he's | there |
| D7 | F7 | Bb | Gm | |
| Bridge → | I | want her | everywhere |
| Cm | D7 | Gm | |
| And if | she's beside me | I know I need | never care |
| Cm | D7 |
| But to love her | is to meet her |
| G | Am7 | Bm7 | C | G | Am7 |
| Ev'ry | where | knowing that | love is to | share |
| Bm7 | C | F#m7 | B7 |
| Each one be | lieving that | love never | dies |
| F#m7 | B7 | Em | Am | Am7 | D7 |
| Watching her | eyes and | hoping I'm | always | there |
| G | Am7 | Bm7 | C | |
| And will be | the | re, and | every | where |
| G | Am7 | Bm7 | C | G |
| here, | there, and | every | where |
| F | C | |
| Hey, | Jude, don't make it | bad, |
| C7sus | C7 | F | |
| Take a | sad song and | make it | better. |
| Bb | F | |
| Re | member to let her into your | heart, |
| C7 | F | |
| Then you can | start to make it | better. |
| F | C | |
| Hey, | Jude, don't be | afraid, |
| C7sus | C7 | F | |
| You were | made to go | out and | get her. |
| Bb | F | |
| The | minute you let her under your | skin, |
| C7 | F | |
| Then you be | gin to make it | better. |
| F7 | Bb | |
| And anytime you feel the | pain, |
| Gm7 | |
| Hey, Jude, re | frain, |
| C7 | F | |
| Don't carry the | world upon your | shoulders. |
| F7 | C7 | |
| Da da da | da da da | da da da da. |
| F | C | |
| Hey, | Jude, don't let me | down, |
| C7sus | C7 | F | |
| You have | found her, now | go and | get her. |
| Bb | F | |
| Re | member to let her into your | heart, |
| C7 | F | |
| Then you can | start to make it | better. |
| F7 | Bb | |
| For now you know that it's a | fool |
| Gm7 | |
| Who plays it | cool |
| C7 | F | |
| By making his | world a little | colder. |
| F7 | C7 | |
| Da da da | da da da | da da da da. |
| F | C | |
| Hey, | Jude, don't make it | bad, |
| C7sus | C7 | F | |
| Take a | sad song and | make it | better. |
| Bb | F | |
| Re | member to let her into your | heart, |
| C7 | F | |
| Then you can | start to make it | better. |
| F | C | |
| Hey, | Jude, don't make it | bad, |
| C7 | C7 | F | |
| Take a | sad [C7sus4]song and | make it | better. |
| Bb | F | |
| Re | member to let her into your | heart, |
| C7 | F | |
| Then you can | start to make it | better. |
| F | C | |
| Hey, | Jude, don't be afr | aid, |
| C7 | C7 | F | |
| You were | made [C7sus4]to go | out and | get her. |
| Bb | F | |
| The | minute you let her under your | skin, |
| C7 | F | |
| Then you be | gin to make it | better. |
| F7 | Bb | Gm7 | |
| And anytime you feel the | pain, hey, Jude, re | frain, |
| C7 | F | |
| Don't carry the | world upon your | shoulders. |
| F7 | Bb | |
| For now you know that it's a | fool who plays it |
| Gm7 | |
| cool |
| C7 | F | |
| By makeing his | world a little | colder. |
| F7 | C7 | |
| Da da da | da da | da da da da. |
| F | C | |
| Hey, | Jude, don't let me | down, |
| C7 | C7 | F | |
| You have | found [C7sus4]her, now | go and | get her. |
| Bb | F | |
| Re | member to let her into your | heart, |
| C7 | F | |
| Then you can | start to make it | better. |
| F7 | Bb | Gm7 | |
| So let it out and let it | in, Hey Jude, be | gin |
| C7 | F | |
| Your waiting for some | one to perf | orm with |
| F7 | Bb | |
| And don't you know that its just | you, hey Jude, |
| Gm7 | |
| you'll | do |
| C7 | F | |
| The movement you | need is on your | shoulder. |
| F7 | C7 | |
| Da da da | da da | da da da da. |
| F | C | |
| Hey, | Jude, don't make it | bad, |
| C7 | C7 | F | |
| Take a | sad [C7sus4]song and | make it | better. |
| Bb | F | |
| Re | member to let her into your | heart, |
| C7 | F | |
| Then you can | start to make it | better, |
| F |
| Better, better, better, better, better, oh. |
| F | Eb | Bb | F |
| Da da da | da-da-da-da, | da-da-da-da, hey | Jude (multiple |
| times) |
| D | A | C | G | D | G | C | G | |
| H | ere I st | and h | ead | in h | and, → T | urn my face to the w | all. |
| D | A | C | G | D | G | C | G | A |
| If she's g | one I c | an't | go | on, → F | eeling two feet s | mall. |
| D | A | C | G | D | G | C | G | |
| Ev | erywhe | re p | eop | le st | are, → E | ach and every d | ay. |
| D | A | C | G | D | G | C | G | A |
| I can s | ee them l | augh | at | me, → A | nd I hear them s | ay, |
| D | G | A | |
| H | ey, you've got to h | ide your love a | way! |
| D | G | A | |
| H | ey, you've got to h | ide your love a | way! |
| D | A | C | G | D | G | C | G | |
| H | ow can | I | eve | n t | ry? → | I can never w | in. |
| D | A | C | G | D | G | C | G | A | |
| H | earing th | em, s | eein | g t | hem, → I | n the state I'm | in, |
| D | A | C | G | D | G | C | G |
| How could s | he s | ay t | o m | e, "L | ove will find a w | ay"? |
| D | A | C | G | D | |
| G | ather 'r | ound a | ll y | ou clo | wns, |
| G | C | G | A | |
| L | et me hear you s | ay, |
| D | G | A | |
| H | ey, you've got to h | ide your love a | way! |
| D | G | A | |
| H | ey, you've got to h | ide your love a | way! |
| B | A | G | F | E | E7 | |
| | | - - - - | - - | - - | | - - | - - | | - - - - | | - - - - | |
| D | D7 | |
| - - - - | | → - - - - | |
| Verse 1 |
| A | A/G | C | D | E |
| I am he as | you are he as | you are me and | we are | all |
| A | A/G | |
| togeth | er |
| C | D |
| See how they run like pigs from a gun see h | ow they fly |
| A | |
| I'm | crying |
| Verse 2 |
| A | A/G | D/F# | Fmaj7 | G |
| Sitting on a | cornflake | waiting for the | van to come |
| A | A/G | |
| F |
| Corporation tee shirt stupid bloody Tuesday man |
| B |
| you've been a naughty boy you let your face grow long |
| Chorus → Chorus |
| C | D | |
| I am the | egg-man, they are the | egg-men, I am the |
| E | |
| Walrus Goo goo g' joob |
| A | A/G | C | D |
| Mister city | p'liceman sitting | pretty little | p'lice men |
| E | A | A/G | |
| in a row |
| C | D |
| See how they fly like Lucy in the Sky see how | they run |
| A | Dsus4 | A | E | |
| I'm cr | ying I'm cry | - ing I'm | crying I'm | cry - |
| D | D7 | |
| ing |
| Verse 2 |
| Yellow matter custard dripping from a dead dog's eye |
| Crab a locker fishwife pornographic priestess boy |
| you been a naughty girl you let your knickers down |
| Chorus |
| Bridge |
| E | B | A | G | F | E | |
| | | - - - - | | - - | - - | | - - | - - | | - - - - | |
| B | A | G | F | E |
| Sitting in an | English gar | den waiting | for the sun | . |
| F | B7 |
| If the sun don't come | you get a tan from standing in the |
| English rain |
| Chorus |
| Verse 1 |
| Expert texpert choking smokers don't you think the joker |
| laughs at you? |
| See how they smile like pigs in a sty, see how they snied |
| I'm crying |
| Verse 2 |
| Semolina pilchards climbing up the Eiffel Tower |
| Element'ry penguin singing Hare Krishna. Man |
| you should have seen them kicking Edgar Allan Poe |
| Chorus |
| E7 | C#7 | |
| I call | your name but you're | not there |
| F#7 | B7 | |
| Was | I to blame for bei | ng unfair |
| E7 | C#7 | |
| Oh I can't sl | eep at night since you've been go | ne |
| F#7 | A | |
| I | never weep at | night, I can't go on |
| A | |
| Don't you know I can't t | ake it |
| C#m | |
| I do | n't know who can |
| F# | |
| I'm | not going to make it |
| C | B7 | |
| I'm not | t | hat kind of man. |
| Oh I can't sleep at night but just the same |
| I ever weep at night I call your name. |
| D | C | G | |
| Intro: → |
| G |
| Baby's good to me, you know, |
| D | |
| She's happy as can be, you know, she | said so. |
| C7 | G | |
| I'm in love with | her and I feel fi | ne. |
| G |
| Baby says she's mine, you know, |
| D | |
| She tells me all the time, you know, she | said so. |
| C7 | G | |
| I'm in love with | her and I feel fi | ne. |
| Chorus |
| G | Bm | C | D7 | |
| I'm so | glad that | she's my little | girl. |
| G | Bm | C7 | D7 | |
| She's so | glad, she's | telling all the | world. |
| G | |
| That her | baby buys her things, you know, |
| D | |
| He buys her diamond rings, you know, she | said so. |
| D7 | C7 | G |
| She's in love with | me and I feel fi | ne. |
| D7 | C7 | G |
| She's in love with | me and I feel fi | ne. |
| E7 | B7 | E7 | A7 | |
| Well, I got a | woman way cross | town. She's good to | me, |
| E7 | |
| oh-ho | yeah. |
| A7 | B7 | |
| 'Said I got a | woman way cross town. She's good to | me, |
| oh yeah. |
| Chorus |
| E7 | |
| She gives me | money ev'rytime I need. |
| A7 | |
| Yes, you know she's a | kind of friend indeed. |
| E7 | B7 | E7 | A7 | |
| 'Said I got a | woman way cross | town. She's good to | me. |
| E7 | |
| oh-ho, | yeah. |
| E7 | B7 | |
| She say she | loves me early in the | mornin', just for |
| E7 | A7 | E7 | |
| me, | oh-ho | yeah → . |
| A7 | B7 | |
| She say she | loves me early in the mornin', just for | me, |
| oh yeah. |
| Chorus |
| She say she loves me just for me, yeah. |
| You know she loves me so tenderly. |
| 'Said I got a woman way cross town. She's good to me, oh |
| yeah. Ow! |
| solo: |E7 | |A7 |E7 |A7 |E7 |E/B Bbdim A7 B7|E | |
| [E7.] She's there to love me[Eb7.][E7.] all day and |
| night[Eb7.][E7.]. |
| [E7.] Never grumbles or fusses[Eb7.][E7.] just treats me |
| right[Eb7.][E7.]. |
| [E7.] Never runnin' in the streets[Eb7.][E7.] leavin' me |
| alone[Eb7.][E7.]. |
| She knows a woman's place is right back there with her |
| hangin' 'round the home. |
| A7 | B7 | E7 | A7 | |
| 'Got a | woman way cross | town. She's good to | me, | oh |
| E7 | |
| yeah. |
| A7 | B7 | |
| Well, I got a | woman way cross town. She's good to | me, |
| oh-ho, yeah. |
| E7 | |
| Well, she's my | baby, don't'cha understand ? |
| A7 | |
| I I I | I, I'm her lovin' man. |
| E7 | B7 | E7 | A7 | |
| Well, I got a | woman way cross | town. She's good to | me, |
| E7 | |
| oh-ho, | yeah. |
| Well, that much is alright. → Well, that much is alright. |
| F#7 | B7 | E7 | |
| I got a | woman ... way cross | town ... she's good to | me, |
| A7 | |
| oh-ho-ho yeah.[Eb6add9][E6add9] |
| A | D7 | A | |
| Well she was j | ust seventeen, if you k | now what I m | ean |
| E7 | |
| And the way she looked was way beyond comp | are, |
| A | A7 | D | F | A | |
| So h | ow could I d | ance with an | other, | when I s | aw her |
| E7 | A | |
| st | anding th | ere. |
| A | D7 | A | |
| Well s | he looked at me, and | I, I could | see, |
| E7 | |
| That before too long I'd fall in love with | her. |
| A | A7 | D | F | A | |
| S | he wouldn't d | ance with an | other, | when I s | aw her |
| E7 | A | |
| s | tanding t | here. |
| D7 | |
| Well my h | eart went boom when I crossed that room, |
| E | |
| And I held her hand in m | ine... |
| A | D7 | |
| Well we da | nced through the night, and we h | eld each other |
| A | |
| t | ight, |
| E7 | |
| And before too long I fell in love with h | er. |
| A | A7 | D | F | A | |
| Now I | 'll never d | ance with an | other, | since I s | aw her |
| E7 | A | |
| st | anding th | ere. |
| Instrumental same as verse |
| D7 | |
| Well my h | eart went boom when I crossed that room, |
| E | |
| And I held her hand in m | ine... |
| A | D7 | |
| Well we da | nced through the night, and we h | eld each other |
| A | |
| t | ight, |
| E7 | |
| And before too long I fell in love with h | er. |
| A | A7 | D | F | A | |
| Now I | 'll never d | ance with an | other, | since I s | aw her |
| E7 | A | |
| st | anding th | ere. |
| A | E7 | A | |
| Since I s | aw her st | anding th | ere. |
| A | E7 | A | |
| Since I s | aw her st | anding th | ere. |
| (harmonica intro) C G7 C G7 C G7 C |
| G7 |
| C | G7 | C | G7 | C | G7 | |
| I - - | - - - | - sh | ould have known b | etter with a g | irl |
| C | G7 | |
| like y | ou, |
| C | G7 | Am | |
| That I would l | ove everyth | ing that you | do, |
| F | G7 | C | G7 | C | |
| And I d | o, hey, hey, | hey, and I | do. |
| G7 | |
| W | hoa, ooh |
| C | G7 | C | G7 | C | G7 | |
| I - - | - - - | - | never real | ized what a k | iss could |
| C | G7 | |
| be, |
| C | G7 | Am | |
| This could | only | happen to | me, |
| F | E7 | Am | |
| Can't you s | ee, can't you | see? |
| F | C | E7 | Am | |
| That when I t | ell you that I l | ove you, | oh, |
| F | C | |
| You're gonna s | ay you love me t | oo - oo - oo - oo - oo, |
| F | |
| oho, |
| G7 | C | Am | F | G7 | |
| And when I | ask you to be m | in | e, | you're gonna | say |
| C | G7 | C | |
| you love me t | oo. |
| G7 | C | G7 | C | G7 | C | |
| S | o - o - o, | I - - | - - - | - sh | ould have real | ized a |
| G7 | C | G7 | |
| lot of t | hings bef | ore, |
| C | G7 | Am | |
| If this is l | ove you've gotta g | ive me m | ore, |
| F | G7 | C | G7 | C | G7 | |
| Give me m | ore, hey, hey, | hey, give me m | ore. |
| (Guitar solo) |
| C | G7 | C | G7 | C | G7 | C | G7 | |
| C | G7 | Am | F | G7 | C | G7 | |
| C | G7 | |
| C | G7 | C | G7 | C | G7 | |
| I - - | - - - | - | never real | ized what a k | iss could |
| C | G7 | |
| be, |
| C | G7 | Am | |
| This could | only | happen to | me, |
| F | E7 | Am | |
| Can't you s | ee, can't you | see? |
| F | C | E7 | Am | |
| That when I t | ell you that I l | ove you, | oh, |
| F | C | |
| You're gonna s | ay you love me t | oo - oo - oo - oo - oo, |
| F | |
| oho, |
| G7 | C | Am | F | G7 | |
| And when I | ask you to be m | in | e, | you're gonna | say |
| C | G7 | C | |
| you love me t | oo. |
| G7 | C | G7 | C | G7 | C | G7 | C | |
| You l | ove me t | oo, | you l | ove me t | oo. |
| C | G | Am | |
| Oh, yeah, | I'll tell you | something, | I think you'll |
| Em | |
| under | stand, |
| C | G | Am | E | |
| Then | I say that | something: | I want to hold your | hand! |
| F | G7 | C | Am | F | G7 |
| I want to | hold your | hand! | I want to | hold your |
| C | |
| hand! |
| Oh, please, say to me, you'll let me be your man, |
| And please, say to me, you'll let me hold your hand. |
| Now let me hold your hand, I want to hold your hand! |
| Dm | C | F | Dm | |
| And when I | touch you I feel | happy in | side, |
| Dm | C | F | G | |
| It's such a | feeling that my | love I cant | hide, |
| F | G | F | G | |
| I can't | hide, | I can't | hide. |
| Yeah you, got that something, I think you'll understand. |
| When I feel that someting, I want to hold your hand! |
| I want to hold your hand! I want to hold your hand! |
| German words the Beatles sung 1962: |
| Oh Du bist so schvn, schvn wie ein Diamant. |
| Ich will mit Dir geh'n, komm gib mir Deine Hand! |
| Komm gib mir Deine Hand, komm gib mir Deine Hand! |
| Oh komm doch, komm zu mir, Du nimmst mir den Verstand! |
| Oh komm doch, komm zu mir. Komm gib mir Deine Hand! |
| Komm gib mir Deine Hand, komm gib mir Deine Hand! |
| In Deinen Armen bin ich gl|cklich und froh. |
| Das war noch nie bei einer andern einmal so, |
| einmal so, einmal so. |
| Oh Du bist so schvn... |
| Bsus | A | |
| Intro: → |
| Am | C | G | Fmaj7 | E7 | |
| You | know if you | break my | heart I'll | go, but | I'll be |
| A | Bsus | A | |
| back a | gain |
| Am | C | G | Fmaj7 | E7 | |
| Cos | I told you | once be | fore good | bye, but | I came back |
| A | Bsus | A | |
| ag | ain |
| F#m | Bm | |
| I love you | so, I'm the one who | wants you, yes I'm the one |
| E7 | Bm | E7 | Bm | E7 | |
| who | wants you. → | Oh | ho, | Oh | ho |
| Am | C | G | Fmaj7 | E7 | |
| Oh | you could find | better | things to | do than to | break my |
| A | Bsus | A | |
| heart | again |
| Am | C | G | Fmaj7 | E7 | |
| This | time I will | try to | show that | I'm not | trying to |
| A | Bsus | A | |
| pre | tend |
| Bridge |
| Bm | C#m | F#m |
| I thought that you would | realise that if I | ran away from |
| you |
| B7 | Bm | E7 | |
| That | you would want me too but | I got a big surp | rise |
| Bm | E7 | Bm | E7 |
| Oh | ho, | Oh | ho |
| Am | C | G | Fmaj7 | E7 | |
| Oh | you could find | better | things to | do than to | break my |
| A | Bsus | A | |
| heart | again |
| Am | C | G | Fmaj7 | E7 | |
| This | time I will | try to | show that | I'm not | trying to |
| A | Bsus | A | |
| pre | tend |
| F#m | Bm | |
| I wanna | go, but I hate to | leave you you know I hate to |
| E7 | Bm | E7 | Bm | E7 | |
| leave you → | Oh | ho, | oh | ho |
| Am | C | G | Fmaj7 | E7 | |
| You | know if you | break my | heart I'll | go, but | I'll be |
| A | Bsus | A | |
| back a | gain |
| D7 | C7 | G | C7 | G | D7 |
| → Chorus |
| G | C7 | G7 | C7 | |
| I'm gonna | sit right down and | cry over | you. |
| G | C7 | D7 | |
| I'm gonna | sit right down and | cry over you. |
| G | G7 | C | |
| And if you | ever say good | bye. → And if you | ever even try. |
| G | D7 | G | |
| I'm gonna | sit right down and | cry over | you. |
| Chorus |
| I'm gonna love you more and more every day. |
| I'm gonna love you more and more every way. |
| And if you ever say goodbye. → And if you ever even try. |
| I'm gonna sit right down and cry over you. |
| C7 | G | |
| I'm gonna tell your | Mother. → Tell your brother | too. |
| C7 | D7 | |
| So they'll | know exactly | what I'm gonna do |
| G | G7 | C | |
| If you | ever say good | bye. → If you | ever even try. |
| G | D7 | G | |
| I'm gonna | sit right down and | cry over | you. |
| Wah-hoo! |
| G | D | G | D7 | C7 | G | C7 | G | D7 |
| → I'm gonna tell your Mother. |
| Tell your brother too. |
| So they'll know exactly what I'm gonna do |
| If you ever say goodbye. → If you ever even try. |
| I'm gonna sit right down and cry over you. |
| I'm gonna sit right down and cry over you. |
| G | C | D9 | G | |
| I'm gonna sit right down and cry over | you. | [G6add9] |
| G | C | G | Am | Em | D | Dsus4 |
| I'm | looking | through | you, | where did you | go |
| D | |
| G | C | G | Am | Em | D | Dsus4 |
| I | thought | I knew | you, | what did I | know |
| D | |
| Em | Am | G | C | D |
| You don't look | different, but | you | have | changed |
| G | C | G | Am | C | G | G |
| I'm | looking | through | you, | you're not the | same |
| C | G | C | G | C | |
| G | C | G | Am | Em | D | Dsus4 | D |
| Your | lips | are | moving, | I cannot | hear |
| G | C | G | Am | Em | D | Dsus4 |
| Your | voice | is | soothing, | but the words aren't | clear |
| D | |
| Em | Am | G | C | D |
| You don't sound | different, I've | learned | the | game |
| G | C | G | Am | C | G | G |
| I'm | looking | through | you, | you're not the | same |
| C | G | C | G | C | |
| Bridge |
| C | G |
| Why, tell me why, did you not | treat me right? |
| C | G | D |
| Love has a nasty habit of | disappearing | overnight |
| G | C | G | Am | Em | D | Dsus4 |
| You're | thinking | of | me, | the same old | way |
| D | |
| G | C | G | Am | Em | D | Dsus4 | D |
| You | were | above | me, | but not to | day |
| Em | Am | G | C | D |
| The only | difference is | you're | down | there |
| G | C | G | Am | C | G | G | C |
| I'm | looking | through | you, | and you're no | wher | e |
| G | C | G | C | |
| Repeat Bridge → Repeat first verse |
| Repeat chorus |
| A | G#7 | D | E7 | |
| I'm | so | tired, I | haven't slept a | wink |
| A | F#m7 | D | E7 | |
| I'm | so | tired, my | mind is on the | blink |
| A | E+ | F#m | Dm | |
| I | wonder should I | get up and | fix myself a | drink, no, |
| no, no |
| A | G#7 | D | E7 | |
| I'm | so | tired, I | don't know what | to do |
| A | F#m7 | D | E7 | |
| I'm | so | tired, my | mind is set on | you |
| A | E+ | F#m | |
| I | wonder should I | call you but I | know what you would |
| Dm | |
| do |
| A | |
| Bridge → | You say I'm putting you on |
| A |
| But it's no joke, it's doing me harm |
| E7 | |
| You know I | can't sleep, I can't stop my brain |
| E7 | |
| You know it's | three weeks, I'm going insane |
| D | |
| You know I'd | give you everything I've got for a little |
| A | |
| peace of | mind |
| A | G#7 | D | E7 | |
| I'm | so | tired, I'm | feeling so up | set |
| A | F#m7 | D | E7 | |
| Al | though I'm | so tired, I'll | have another ciga | rette |
| A | E+ | F#m | Dm | |
| And | curse Sir Walter | Raleigh, he was | such a stupid | get |
| Bridge |
| G | D | G | D | |
| Intro → |
| G | Em | G7 | C | Cm | |
| There are pl | aces I'll rem | ember | all my l | i--i | fe |
| G | |
| though s | ome have changed, |
| G | Em | G7 | C | Cm | |
| Some for | ever not for b | etter, | some have | go-- | one and |
| G | |
| some remain. |
| Em | C | F | |
| All these pl | aces had their m | oments, with l | overs and |
| G | |
| friends I st | ill can recall, |
| Em | A7 | Cm | |
| Some are d | ead and some are l | iving, in | my life I've |
| G | D | |
| l | oved them all. |
| G | Em | G7 | C | Cm | |
| But of a | ll these friends and l | overs, | there is | no | one |
| G | |
| comp | ares with you, |
| G | Em | G7 | C | |
| And these m | emories lose their m | eaning, | when I th | ink |
| Cm | G | |
| of l | ove as s | omething new. |
| Em | C | F | |
| Though I k | now I'll never lose aff | ection for p | eople and |
| G | |
| things that w | ent before, |
| Em | A7 | Cm | |
| I k | now I'll often stop and think ab | out them, in | my life |
| G | D | |
| I'll l | ove you more. |
| (Piano/Harpsichord solo) |
| G | Em | G7 | C | Cm | G | G | Em | G7 | C | Cm | G |
| → |
| Em | C | F | |
| Though I k | now I'll never lose aff | ection for p | eople and |
| G | |
| things that w | ent before, |
| Em | A7 | Cm | |
| I k | now I'll often stop and think ab | out them, in | my life |
| G | D | |
| I'll l | ove you more. |
| Cm | G | D | D7 | G | |
| In | my life I'll love you m | ore. |
| C | Em | Bb | F | G | G7 | G+ | G |
| I get h | igh when | i see yo | u go b | y, | my-oh | -my |
| When you sigh my my inside just flies, butterflies |
| F | G | C | Am | |
| Wh | y am i so s | hy when i'm bes | ide you |
| Bb | G | |
| It's only lo | ve and that is a | ll |
| C | Am | |
| Why should i fe | el the way i d | o? |
| Bb | G | |
| It's only lo | ve and that is | all |
| F | G | |
| But it's so ha | rd, loving y | ou. |
| 2. Is it right that you and i should fight every night |
| Just the sight of you makes night time bright, very |
| bright |
| Haven't i the right to make it up, girl |
| It's only love and that is all, |
| Why should i feel the way i do? |
| It's only love and that is all |
| F | G | |
| But it's so h | ard, loving y | ou, |
| F | G | C | Am | C | Am | |
| Yes it's s | o hard, loving yo | u, loving yo | u. |
| Capo 2nd fret |
| G |
| I've just seen a face I can't for get the time or place |
| D/F# | Em | |
| where | we just | met |
| She's just the girl for me and I want all the world to see |
| C | D | G | |
| we've | met → Na na na | na na | na |
| Had it been another day I might have looked the other way |
| and |
| I'd have never been aware but as it is I'll dream of her |
| tonight → Da da da da da da |
| Chorus: |
| D | C | G | D |
| Falling yes I am | falling and she keeps | calling | me back |
| G | |
| again |
| I have never known the likes of this I've been alone and I |
| have |
| Missed things and kept out of sight but as it is I'll dream |
| of her tonight → Da da da da da da |
| Repeat chorus. |
| Guitar solo played to verse chords. |
| Repeat chorus. |
| Repeat first verse. |
| Repeat chorus 3 times to end. |
| D7 |
| We've been friends for oh so long. |
| G |
| I let you share what's mine. |
| D7 |
| When you mess with the girl I love |
| G | |
| It's | time to draw the line. |
| Chorus |
| G | Em | |
| Keep your | hands (keep your hands) off my | baby. |
| C | D7 | |
| I ain't'a gonna | tell you but one more | time. |
| G | Em | |
| Woh, keep your | hands (keep your hands) off my | baby. |
| C | D7 | |
| Boy, you get it | through your head | - that girl is |
| G | C | G | |
| mine. |
| I don't mind if you lend my clothes. |
| But you will be in touch. |
| There is somethin' that you get straight. |
| There's one thing you don't touch. |
| Chorus |
| Keep your hands (keep your hands) off my baby. |
| I ain't'a gonna tell you but one more time. |
| Woh, keep your hands (keep your hands) off my baby. |
| Can you get it through your head ? - that girl is mine. |
| solo:|D7 | |G | |D7 | |G | D7| |
| Keep your hands (keep your hands) off my baby. |
| I ain't'a gonna tell you but one more time. |
| Woh, keep your hands (keep your hands) off my baby. |
| Can you get it through your head ? - that girl is mine. |
| Em | |
| (Keep your hands) Woh, keep your hands off my | baby, she's |
| G | |
| mine. |
| Em | |
| (Keep your hands off my baby) You better | watch yourself |
| now. |
| C | D7 | |
| Boy, you get it | through your head | - that girl is |
| G | C | G | G7 | |
| mine. |
| E | A | E | A |
| Lady Ma | donna, | children at your | feet |
| E | A | E | C | D | E |
| Wonder how you | manage | to make | ends | meet |
| A | E | A | |
| Who finds the | money | when you pay the | rent |
| E | A | E | C | D | E |
| Did you think that | money | was | hea | ven | sent? |
| Am | D | |
| Friday night arrives without a | suitcase |
| G | Em | |
| Sunday morning creeping like a | nun |
| Am | D7 | |
| Monday's child has learned to tie his | bootlace |
| G | Am6 | B7 | |
| See | how they'll | run |
| E | A | E | A |
| Lady Ma | donna, | baby at your | breast |
| E | A | E | A |
| Wonder how you | manage to | feed the | rest |
| E | A | E | A |
| Lady Ma | donna, | lying in your | bed |
| E | A | E | C | D | E |
| Listen to the | music | playing | in | your | head |
| Am | D | |
| Tuesday afternoon is never | ending |
| G | Em | |
| Wednesday morning papers didn't | come |
| Am | D | |
| Thursday night your stockings needed | mending |
| G | Am6 | B7 | |
| See | how they'll | run |
| E | A | E | A |
| Lady Ma | donna, | children at your | feet |
| E | A | E | A |
| Wonder how you | manage to | make ends | meet |
| G | D | |
| Wh | en I find myself in t | imes of trouble, |
| Em | C | |
| Mo | ther Mary c | omes to me, |
| G | D | C | G | |
| Sp | eaking words of w | isdom, let it | be. |
| D | |
| And in my hour of da | rkness, |
| Em | C | |
| She is st | anding right in f | ront of me, |
| G | D | C | G | |
| Sp | eaking words of w | isdom, let it | be. |
| Chorus: |
| Em | Bm | C | G | |
| Let it | be, let it | be, let it | be, let it | be. |
| D | C | G | |
| Whisper words of wis | dom, let it | be. |
| G | D | |
| And | when the broken | hearted people |
| Em | C |
| Living in the | world agree, |
| G | D | C | G |
| There will be no | answer, let it | be. |
| G | D | |
| For | though they may be | parted, |
| Em | C | |
| There is | still a chance that | they will see, |
| G | D | C | G |
| There will be an | answer, let it | be. |
| Chorus |
| G | D | |
| And | when the night is | cloudy, |
| Em | C | |
| There is | still a light that | shines on me, |
| G | D | C | G |
| Shine until to | morrow, let it | be. |
| G | D | |
| I | wake up to the | sound of music, |
| Em | C |
| Mother Mary | comes to me, |
| G | D | C | G |
| Whisper words of | wisdom, let it | be. |
| Chorus |
| G | D | |
| Wh | en I find myself in t | imes of trouble, |
| Em | C | |
| Mo | ther Mary c | omes to me, |
| G | D | C | G | |
| Sp | eaking words of w | isdom, let it | be. |
| D | |
| And in my hour of da | rkness, |
| Em | C | |
| She is st | anding right in f | ront of me, |
| G | D | C | G | |
| Sp | eaking words of w | isdom, let it | be. |
| {soc:} |
| Em | D | C | G | |
| Let it | be, let it | be, let it | be, let it | be. |
| D | C | G | |
| Whisper words of wis | dom, let it | be. |
| {eoc:} |
| G | D | |
| And | when the broken | hearted people |
| Em | C |
| Living in the | world agree, |
| G | D | C | G |
| There will be an | answer, let it | be. |
| D | |
| But though there may be | parted, |
| Em | C | |
| There is | still a chance that | they will see, |
| G | D | C | G |
| There will be an an | swer, let it | be. |
| {soc:} |
| Em | D | C | G | |
| Let it | be, let it | be, let it | be, let it | be. |
| D | C | G | |
| There will be an ans | wer, let it | be. |
| {eoc:} |
| G | D | |
| And | when the night is | cloudy, |
| Em | C | |
| There is | still a light that | shines on me, |
| G | D | C | G |
| Shine until tom | orrow, let it | be. |
| D | |
| I wake up to the | sound of music, |
| Em | C | |
| Mot | her Mary | comes to me, |
| G | D | C | G |
| Speaking words of | wisdom, let it | be. |
| {soc:} |
| Em | D | C | G | |
| Let it | be, let it | be, let it | be, let it | be. |
| D | C | G | |
| Whisper words of wis | dom, let it | be. |
| {eoc:} |
| D | F#m | G/A | D | D/C | G |
| The | long and winding | road that | leads | to your | door |
| D/F# | Bm7 | Em7 | A7 | D7sus | D7 | |
| Will | never disa | ppear, | I've | seen that road | before |
| G | D/F# | Bm7 | Em7 | A7 | D |
| It al | ways | leads me here, | lead me | to your | door |
| D | F#m | G/A | D | D/C | G |
| The | wild and windy | night that the | rain | washed a | way |
| D/F# | Bm | Em7 | A7 | D7sus | D7 | |
| Has | left a pool of | tears | crying | for the | day |
| G | D/F# | Bm | Em7 | A7 | D |
| Why | leave me | standing here? | Let me | know the | way |
| Chorus |
| D | G | D/F# | |
| Many times I've | been alone and | many times I've |
| Em7 | A7 | |
| cried |
| D | G | D/F# | Em7 | |
| Anyway you'll | never know the | many ways I've | tried |
| A7 | |
| D | F#m | G/A | D | D/C | |
| But | still they | lead me | back to the | long and | winding |
| G | |
| road |
| D/F# | Bm | Em | A7 | D7sus | |
| You | left me standing | here | a long, | long time | ago |
| D7 | |
| G | D/F# | Bm | Em7 | A7 | D |
| Don't | leave me | waiting here, | lead me | to your | door |
| String solo |
| D | G | D/F# | Em7 | D | G |
| D/F# | Em7 | A7 | |
| D | F#m | G/A | D | D/C | |
| But | still they | lead me | back to the | long and | winding |
| G | |
| road |
| D/F# | Bm | Em | A7 | D7sus | |
| You | left me standing | here | a long, | long time | ago |
| D7 | |
| G | D/F# | Bm | Em7 | A7 | D |
| Don't | leave me | waiting here, | lead me | to your | door |
| Chorus |
| B | A | B | |
| Lovely Rita | meter maid Lovely Rita | meter maid |
| E | D | A | E | B |
| Lovely Rita | meter | maid | nothing can come be | tween us |
| C#m | F#7 | B |
| When it gets dark I | tow your heart a | way |
| E | A | D | G |
| Standing by a | parking meter | when I caught a | glimpse of |
| Rita |
| E | B |
| filling in a ticket in her | little white book |
| In a cap whe looked much older, and the bag across her |
| shoulder |
| made her look a little like a military man |
| E | C#m | F#m7 | B7 |
| E | D | A | E | D |
| Lovely Rita | meter | maid | may I enquire dis | creetly |
| C#m | F#7 | B | A/B | G#m/B | F#m/B |
| When are you free to | take some tea with | me? |
| E6/B | B7 | E | D | A | E | B7 | E | F#7 | B7 |
| Ah | Rita |
| Chorus |
| Took her out and tried to win her, had a laugh, and over |
| dinner |
| told her I would really like to see her again |
| Got the bill and Rita paid it, took her home, I nearly made |
| it, |
| sitting on the sofa with a sister or two |
| Oh, lovely Rita, meter maid, where would I be without you? |
| Give us a wink and make me think of you |
| Chorus |
| A | A7 | D | D/F | |
| Pi | cture your | self in a | boat on a | river |
| A | A7 | D | D/F | G | |
| With ta | ngerine | trees and m | armalade | skies |
| A | A7 | D | D/F | |
| Som | ebody | calls you, you | answer quite | slowly |
| A | A7 | D | Dm | C | |
| A | girl with cale | idoscope | eyes. |
| Bb | C | F | |
| C | ellophane flowers of | yellow and green | towering over |
| Bb | |
| your | head. |
| C | G |
| Look for the girl with the | sun in her eyes and she's |
| D | |
| gone |
| Chorus |
| G | C | D | |
| Lucy in the | Sky with | Diamonds. |
| G | C | D | |
| Lucy in the | Sky with | Diamonds |
| G | C | D | |
| Lucy in the | Sky with | Diamonds. |
| D | A | |
| Ahhhhhh | hhhhhh. |
| Follow her down to a bridge by a fountain |
| where rockinghorse-people eat marshmallow pies |
| Everyone smiles as you drift past the flowers |
| that grow so incredibly high |
| Newspaper taxis appear on the shore waiting to take you |
| away |
| Climb in the back with your head in your hand and you're |
| gone |
| Chorus |
| Picture yourself in a train in a station |
| with plasticine porters with looking glass ties |
| Suddenly someone is there at the turnstile |
| the girl with kaleidoscope eyes |
| Repeat chorus till fade |
| D | B7 | Em |
| Joan was quizzical, | studied pataphysical | science in the |
| home, |
| A7 | D | A |
| late night all alone with a test tube, | oh, oh, oh, | oh. |
| D | B7 | Em |
| Maxwell Edison, | majoring in medicine, | calls her on the |
| phone. |
| A7 | D | A |
| Can I take you out to the pictures, | Jo-o-o-o | an? |
| E7 | A7 | |
| But, | as she's getting ready to go, a | knock comes from the |
| door: |
| Chorus |
| D | E7 |
| Bang! Bang! Maxwell's silver hammer came | down upon her |
| head. |
| A7 | Em | A7 |
| Clang! Clang! Maxwell's silver hammer made | sure that | she |
| D | |
| was | dead. |
| Back in school again, Maxwell plays the fool again, teacher |
| gets annoyed. |
| Wishing to avoid an unpleasant sce-e-e-ene. |
| She tells Max to stay when the class has gone away, |
| so he waits behind. Writing fifty times "I must not be |
| so-o-o-o. |
| But, when she turns her back on the boy, he creeps up from |
| behind: |
| Chorus |
| P.C. thirtyone said "We've caught a dirty one.", Maxwell |
| stands alone. |
| Painting testimonial pictures, oh, oh, oh, oh. |
| Rose and Valerie, screaming from the gallery, say he must |
| go free. |
| The judge does not agree. And he tells them so-o-o-o. |
| But, as the words are leaving his lips, a noise came from |
| behind: |
| Chorus |
| Chorus |
| B | Em | A |
| Michelle, m | a belle, | these are words that g[G#0]o together |
| F# | F# |
| well, [G#0]my Mi | elle |
| B | Em | A |
| Michelle, m | a belle, | sontles mots qui v[G#0]ont tres bien |
| F# | F# | |
| en | semble, [G#0]tres bien en | semble |
| Bm | D7sus | |
| I love you, I love you, I love you, | that's all I want |
| G | |
| to | say |
| F#7 | Bm | F#7 | Bm | F#7 | Bm | |
| until I | find a | way |
| Em | Bm | Em | |
| I w | ill | say the only words I know that | you'll |
| F# | |
| unders | tand. |
| Chorus |
| I need you, I need you, I need you, I need to make you |
| see → oh what you mean to me |
| until I do I'm hoping you will know what I mean |
| Chorus |
| I want you, I want you, I want you, I think you know by |
| now → I'll get to you somehow |
| until I do I'm telling you so you'll understand |
| Michelle, ma belle sont les mots qui vont tres bien |
| ensemble, tres bien ensemble |
| Bm | Em | |
| I will | say the only words I know that | you'll |
| F# | Bm | F#7 | B | |
| under | stand, → | my | Miche | lle |
| Chorus → Chorus |
| D | Gm7 | |
| Michelle | ma belle |
| C | Bdim | E7 | A | |
| These are words, that | go to | gether | well, |
| E7 | A | |
| My | Michel | le. |
| Michelle ma belle, |
| sont les mots qui vont tres bien ensemble |
| Tres bien ensemble. |
| Dm |
| I love you, I love you, I lo-ve you. |
| Cm7 | F7 | Bb | A7 | Dm | Gm |
| That's all I | want to say. | → | Until I | find a way | , |
| Dm | Dm/C# | Dm/C | Dm/B | Gm | A | |
| I will | say the | only | words → | I know, that | you under | stand. |
| Chorus |
| I need to, I need to, I ne-ed to |
| I need to make you see, → Oh, what you mean to me |
| Until I do I'm hoping you will know, what I mean |
| (I love you) |
| I want you, I want you, I want you |
| I think you know by now → I'll get to you somehow |
| Until I do, I'm telling you, so you'll understand. |
| Chorus → Michelle ma belle, |
| sont les mots qui vont tres bien ensemble |
| Tres bien ensemble |
| And I will say the only words |
| I know, that you'll understand |
| My Michelle. |
| Intro: → Verse: |
| C | F | C | F | |
| I | 'm the kind of g | uy who ne | ver used to c | ry |
| F | G | C | A | |
| The wo | rld is treating me b | ad mi | sery |
| C | F | C | F | |
| I've l | ost her now for s | ure I w | on't see her no m | ore |
| F | G | C | |
| It's go | nna be a d | rag mi | sery |
| Middle: |
| Am | C | |
| I | 'll remember all the little th | ings she's done |
| Am | G | G7 | |
| Sh | e'll remember and she'll miss her o | nly one lon | ely |
| one |
| Verse: |
| C | F | C | F | |
| S | end her back to | me 'Cos ev | eryone can s | ee |
| F | G | C | |
| Wit | hout her I will | be in mi | sery |
| Repeat from middle |
| Ending: |
| F | G | C | Am | |
| Wit | hout her I will | be in m | isery ( | oh) |
| C | Am | C | Am | |
| My mi | sery ( | la la la la la la) m | isery |
| C | Dm7 | G7 | C | Dm7 | G7 |
| Nobody I know could | love me | more than | you. |
| C | Bb | G7 | D7 | G7 |
| You can give me so much | love it se | ems un | true. |
| C | Em |
| Listen to the bird who | sings it in the tree, |
| Am | Ab |
| and the when you've heard him, | see if you agree. |
| C | Dm7 | G7 | C | Dm7 |
| Nobody I know could | love you | more than | me. |
| G7 | |
| Everywhere I go the sun comes shining through. |
| Everyone I know is sure it shines on you. |
| Even in my dreams I look into your eyes, |
| suddenly it seems, I've found a paradise. |
| C | Dm7 | G7 | C | D |
| Everywhere I go the | sun comes | shining th | rough. |
| G7 | C | |
| Am | E7 | A | |
| Means so much to | be a part of a | heart of a wonderful |
| C | |
| one. |
| Am | C | Dm7 | G7 | |
| When other lovers are | gone, we'll live | on, |
| C | Dm7 | G7 | |
| we'll live | on. |
| repeat first verse |
| Chords used: |
| D | D/C# | D | C | G | D |
| I once had a | girl or should I | say | she once | had | me |
| D | D/C# | D | C | G | D |
| She showed me | her room isn't it | good | Norweg | ian | wood |
| Dm | G | |
| She | asked me to stay and she told me to sit any | where |
| Dm | Em | A | |
| But | I looked around and I noticed there wasn't a | chair |
| D | D/C# | D | C | G | D |
| I sat on a | rug biding my | time | drinking | her | wine |
| D | D/C# | D | C | G |
| We talked until | two and then she | said | it's time | for |
| D | |
| bed |
| Dm | |
| She | told me she worked in the morning and started to |
| G | |
| laugh |
| Dm | |
| I | told her I didn't and crawled off to sleep in the |
| Em | A | |
| bath |
| D | D/C# | D | C | G | D |
| And when I a | woke I was a | lone | this bird | had | flown |
| D | D/C# | D | C | G | D |
| So I lit a | fire isn't it | good | Norwe | gian | wood |
| C | G | F | C |
| He's a real | nowhere man, → | Sitting in his | nowhere land, |
| F | Fm | F | C | Bb | F |
| Making all his | nowhere plans for | nobo | dy. |
| C | |
| C | G |
| Doesn't have a | point of view, |
| F | G |
| Knows not where he's | going to, |
| F | Fm | F | C | Bb | F |
| Isn't he a | bit like you and | me? |
| C | |
| Em | F | |
| Nowhere m | an, please | listen, |
| Em | F | |
| You don't | know what you're | missing, |
| Em | F | G7 | |
| Nowhere | man, the | world is at your comman | d. |
| C | G |
| He's as blind as | he can be, |
| F | C |
| Just sees what he | wants to see, |
| F | Fm | F | C | Bb | F |
| Nowhere man can | you see me at | all? |
| C | |
| C | G |
| Doesn't have a | point of view, |
| F | C |
| Knows not where he's | going to, |
| F | Fm | F | C | Bb | F |
| Isn't he a | bit like you and | me? |
| C | |
| Em | F | |
| Nowhere | man, don't | worry, |
| Em | F | |
| Take your | time, don't | hurry, |
| Em | F | G7 | |
| Leave it | all 'till | somebody else lends you a | hand. |
| C | G | F | C |
| He's a real | nowhere man, → | Sitting in his | nowhere land, |
| F | Fm | F | C |
| Making all his | nowhere plans for | nobo | dy. |
| F | Fm | C |
| Making all his | nowhere plans for | nobody. |
| Capo 2nd fret |
| D | A | G | D |
| He's a real | nowhere man, → | Sitting in his | nowhere land, |
| G | Gm | D |
| Making all his | nowhere plans for | nobody. |
| D | A |
| Doesn't have a | point of view, |
| G | D |
| Knows not where he's | going to, |
| G | Gm | D |
| Isn't he a | bit like you and | me? |
| F#m | G | |
| Nowhere m | an, please | listen, |
| F#m | G | |
| You don't | know what you're | missing, |
| F#m | G | A7 | |
| Nowhere | man, the | world is at your comman | d. |
| D | A |
| He's as blind as | he can be, |
| G | D |
| Just sees what he | wants to see, |
| G | Gm | D |
| Nowhere man can | you see me at | all? |
| D | A |
| Doesn't have a | point of view, |
| G | D |
| Knows not where he's | going to, |
| G | Gm | D |
| Isn't he a | bit like you and | me? |
| F#m | G | |
| Nowhere | man, don't | worry, |
| F#m | G | |
| Take your | time, don't | hurry, |
| F#m | G | A7 | |
| Leave it | all 'till | somebody else | lends you a hand. |
| D | A | G | D |
| He's a real | nowhere man, → | Sitting in his | nowhere land, |
| G | Gm | G | D |
| Making all his | nowhere plans for | nobo | dy. |
| G | Gm | D |
| Making all his | nowhere plans for | nobody. |
| G | D7 |
| Desmond had a barrow in the | market place, |
| G | |
| Molly is the singer in a | band. |
| G7 | C | |
| Desmond says to | Molly, girl I | like your face |
| G | D7 | G | |
| and Molly | says this as she | takes him by the | hand. |
| Chorus |
| G | Bm | Em | |
| Ob-la- | di, ob-la-da, life goes | on | bra. |
| G | D7 | G |
| La la how the | life goes | on. (repeat) |
| G | D7 |
| Desmond takes a trolley to the | jeweller's store, |
| G | |
| buys a twenty carat golden | ring. |
| G7 | C | |
| Takes it back to | Molly, waiting | at the door |
| G | D7 | G | |
| and as he | gives it to her | she begins to | sing. |
| chorus |
| C | G | |
| [NC]In a couple of | years they have built a home sweet | home |
| C | |
| [NC]with a couple of | kids running in the yard |
| G | D7 | |
| of | Desmond and Molly | Jones. |
| G | D7 |
| Happy ever after in the | market place, |
| G | |
| Desmond lets the children lend a | hand. |
| G7 | C | |
| Molly stays at | home and does her | pretty face |
| G | D7 | G | |
| and in the | evening she still | sings it with the | band. |
| chorus |
| (NC --> No chord is played) |
| F | Dm | |
| 1. | I'd like to be | under the sea |
| Bb | F | C7 | |
| In an | Octopus's | Garden in the s | hade. |
| F | Dm | |
| He'd let us in, | knows where we've been, |
| Bb | F | C7 | |
| In his | Octopus's | Garden in the s | hade. |
| Dm | |
| I'd ask my friends to come and see |
| Bb | C | |
| An Octopus's | Garden with me. |
| F | Dm | |
| I'd like to be | under the sea |
| Bb | C7 | F | |
| In an | Octopus's | Garden in the s | hade. |
| 2. We would be warm below the storm |
| In our little hideaway beneath the waves. |
| Resting our head on the sea bed |
| In an Octopus's Garden near a cave. |
| We would sing and dance around |
| Because we know we can't be found. |
| I'd like to be under the sea |
| In an Octopus's Garden in the shade. |
| 3. We would shout and swim about |
| The coral that lies beneath the waves. |
| Oh, what joy for every girl and boy |
| Knowing they're happy and they're safe. |
| We would be so happy, you and me. |
| No one there to tell us what to do. |
| I'd like to be under the sea |
| In an Octopus's Garden with you. |
| Chorus |
| D |
| One and one is two. What am I to do, |
| G | A | D |
| now that I'm in | love with | you? |
| D | |
| I'm | hopin' ev'ryday I'm gonna hear you say, |
| G | A | D | |
| "You | really make my | wish come | true." |
| D | G7 | D |
| Can you feel when I'm | holding you near (Oh | yeah) |
| A7 | D | |
| All the things I | do? (Oh | yeah) |
| G7 | D | |
| So, my love, am I | making it clear? (Oh | yeah) |
| A7 | D | |
| One and | one is | two. |
| chorus |
| D | G7 |
| Can't you see I've loved | you from the start? (Oh |
| D | |
| yeah) |
| A7 | D | |
| Don't you love me | too? (Oh | yeah) |
| G7 | D | |
| I love you but you're | breakin' my heart. (Oh | yeah) |
| A7 | D | |
| From | wanting | you. |
| chorus |
| solo: / D / G7 / D / A7 / D / G7 / D A7 / D |
| chorus |
| D | G7 | D |
| If you say that you're | gonna be mine (Oh | yeah) |
| A7 | D | |
| Ev'rything's al | right. (Oh | yeah) |
| G7 | D | |
| All the world would | look so fine (Oh | yeah) |
| A7 | D | |
| If you'll be | mine to | night. |
| chorus |
| G | Em | Am7 | D7 | |
| Penny | Lane: there is a | barber showing | photographs |
| G | Em | Gm7 | |
| Of every | head he's had the | pleasure to | know. |
| Em7-5 | Eb | |
| And all the | people that come and | go |
| D7 | C | |
| Stop and | say hello. |
| F | Am7 | Bb | |
| Penny | Lane is in my ears and in | my ey | es. |
| F | Am7 | Bb | |
| Wet beneath the blue subur | ban sk | ies, |
| Cdim | D7 | |
| I sit and | meanwhile: |
| On the corner is a banker with a motor car. |
| The little children laugh at him behind his back. |
| And the banker never wears a "mac" |
| In the pouring rain. |
| Penny Lane is in my ears and in my eyes. |
| Wet beneath the blue suburban skies, |
| I sit and meanwhile: |
| Back in Penny Lane: there is a fireman with an hourglass. |
| And in his pocket is a portrait of the queen. |
| He likes to keep his fire engine clean, |
| It's a clean machine. |
| Penny Lane is in my ears and in my eyes. |
| Wet beneath the blue suburban skies, |
| I sit and meanwhile: |
| Back in Penny Lane: the barber shaves another customer. |
| We see the banker sitting, waiting for a trend. |
| And then the fireman rushes in |
| From the pouring rain. |
| Penny Lane is in my ears and in my eyes. |
| Wet beneath the blue suburban skies, |
| I sit and meanwhile back: |
| G | Bm7 | C | |
| Penny | Lane is in my ears and in | my e | yes. |
| G | Bm7 | C | |
| Wet beneath the blue subur | ban sk | ies. |
| C | F | C |
| Last night I said these words to | my g | irl: |
| F | C | |
| I know you never even t | ry g | irl. |
| F | Dm | Am | |
| Come | on, (come on), come | on, (come on), come | on, (come |
| F | |
| on), come | on, (come on), |
| C | F | G | C | |
| Please pl | ease me, oh y | eah, like | I please y | ou. |
| F | C | |
| You don't need me to show the w | ay, l | ove. |
| F | C | |
| Why do I always have to s | ay, lo | ve? |
| F | Dm | Am | |
| Come | on, (come on), come | on, (come on), come | on, (come |
| F | |
| on), come | on, (come on), |
| C | F | G | C | |
| Please pl | ease me, oh y | eah, like | I please y | ou. |
| F |
| I don't want to sound complainin', |
| G7 | C | F |
| But you know there's always rain in m | y heart. (In | my |
| C | |
| he | art) |
| F | G7 |
| I do all the pleasin' with you, | it's so hard to reason |
| C | F | G | C | |
| with y | ou, wo y | eah, → Why | do you make me bl | ue? |
| F | C | |
| Last night I said these words to | my g | irl: |
| F | C | |
| I know you never even t | ry g | irl. |
| F | Dm | Am | |
| Come | on, (come on), come | on, (come on), come | on, (come |
| F | |
| on), come | on, (come on), |
| C | F | G | C | F | |
| Please pl | ease me, oh y | eah, like | I please y | ou, oh y | eah, |
| G | C | F | G | C | Eb | D | G7 | C | |
| like | I please y | ou, → Oh y | eah, like | I please y | ou. |
| Spoken: |
| Am7 | D7 |
| Now somewhere in the Black Mountain hills of | Dakota |
| G7 | |
| there lived a young boy named Rocky Rac | coon |
| And one day his woman ran off with another guy |
| C | C/B |
| Hit young Rocky in the eye → | Rocky didn't like that, |
| Am7 | D7 |
| he said I'm gonna get that boy |
| G7 | |
| So one d | ay he walked into town |
| C | C/B | |
| and booked himself a r | oom in a local s | aloon |
| Sing: |
| Am7 | D7 |
| Rocky Raccoon, checked i | nto his room, |
| G7 | C | C/B | |
| o | nly to find Gideon's Bi | ble. |
| Am7 | D7 |
| Rocky had come, e | quipped with a gun, |
| G7 | C | C/B | |
| to s | hoot off the legs of his ri | val |
| Am7 | D7 | |
| His ri | val it seems, had b | roken his dreams, |
| G7 | C | C/B | |
| by s | tealing the girl of his fan | cy |
| Am7 | D7 | |
| Her n | ame was McGill, And she c | alled herself Lil, |
| G7 | C | C/B | |
| but e | veryone knew her as N | ancy |
| Now she and her man, who called himself Dan, |
| were in the next room at the hoedown |
| Rocky burst in and grinning a grin, |
| he said "Danny boy, this is a showdown." |
| But Daniel was hot, he drew first and shot, |
| and Rocky collapsed in the corner. |
| Am7 | D7 | G7 | C | C/B |
| → (instrumental) |
| Now the doctor came in, stinking of gin, and proceeded to |
| lie on the table |
| He said, "Rocky, you met your match," |
| but Rocky said, "Doc, it's only a scratch |
| and I'll be better, I'll be better, Doc, as soon as I am |
| able." |
| Now Rocky Raccoon, he fell back in his room only to find |
| Gideons Bible |
| Gideon checked out and he left it no doubt |
| to help with good Rocky's revival. |
| Intro: |
| C | Am | D7 | |
| She | loves you, yeah, yeah, yeah. She | loves you, |
| yeah, yeah, yeah. |
| F | C | |
| She | loves you, yeah, yeah, yeah, | yeah. |
| C | Am | Em | |
| You | think you've lost your | love when I | saw her |
| G7 | |
| yester | day. |
| C | Am | Em | |
| It's | you she's thinking | of and she | told me what to |
| G7 | |
| say. |
| Am | |
| She says she | loves you and you know that can't be bad. |
| F | Dm | G7 | |
| Yes she | loves you and you | know you should be | glad. |
| Oooh. |
| C | Am | Em | |
| She | said you were to | know that she | almost lost her |
| G7 | |
| mind. |
| C | Am | Em | |
| And | now she says she | knows you're | not the hurting |
| G7 | |
| kind. |
| Am | |
| She says she | loves you and you know that can't be bad. |
| F | Dm | G7 | |
| Yes she | loves you and you | know you should be | glad. |
| Oooh. |
| Am | D7 | |
| She | loves you, yeah, yeah, yeah. She | loves you, yeah, |
| yeah, yeah. |
| F | G7 | |
| and with a | love like that, you | know you should be |
| C | |
| glad. |
| C | Am | Em | G7 | |
| And | now its up to | you, I | think it's only | fair. |
| C | Am | Em | G7 | |
| If | I should hurt you | too, ap | ologize to | her. |
| Am | |
| Because she | loves you, and you know that can't be bad. |
| F | Dm | G7 | |
| Yes she | loves you and you | know you should be | glad. |
| Oooh. |
| repeat Intro |
| Intro: |
| C | Am | D7 | |
| She | loves you, yeah, yeah, yeah. She | loves you, |
| yeah, yeah, yeah. |
| F | C | |
| She | loves you, yeah, yeah, yeah, | yeah. |
| C | Am | Em | |
| You | think you've lost your | love when I | saw her |
| G7 | |
| yester | day. |
| C | Am | Em | |
| It's | you she's thinking | of and she | told me what to |
| G7 | |
| say. |
| Am | |
| She says she | loves you and you know that can't be bad. |
| F | Dm | G7 | |
| Yes she | loves you and you | know you should be | glad. |
| Oooh. |
| She said you were to know that she almost lost her mind. |
| And now she says she knows you're not the hurting kind. |
| She says she loves you and you know that can't be bad. |
| Yes she loves you and you know you should be glad. Oooh. |
| Am | D7 | |
| She | loves you, yeah, yeah, yeah. She | loves you, yeah, |
| yeah, yeah. |
| F | G7 | |
| and with a | love like that, you | know you should be |
| C | |
| glad. |
| And now its up to you, I think it's only fair. |
| If I should hurt you too, apologize to her. |
| Because she loves you, and you know that can't be bad. |
| Yes she loves you and you know you should be glad. Oooh. |
| repeat Intro |
| {new_song} → Sie liebt Dich |
| Lennon/McCartney/L.Montague/J.Nicolas |
| German words for 'She Loves You' as sung by The Beatles in |
| 1962 |
| Intro: Sie liebt dich, yeah, yeah, yeah... |
| Du glaubst Sie liebt nur mich, gestern hab ich sie gesehn. |
| Sie denkt ja nur an Dich und Du solltest zu ihr gehn. |
| O ja, sie liebt Dich, schvner kann es gar nicht sein. |
| ja, sie liebt Dich, und da solltest Du Dich freuen. Oooh. |
| Du hast ihr wehgetan und sie wu_te nicht warum. |
| Warst nicht schuld daran und drehtest Dich nicht um. |
| Oh ja, sie liebt Dich... |
| Sie liebt Dich, yeah, yeah, yeah... |
| denn mit Dir allein kann sie nur gl|cklich sein. |
| Du mu_t jetzt zu ihr gehn; entschuldig' Dich bei ihr. |
| Das wird sie verstehn und dann verzeiht sie Dir. |
| Oh ja, sie liebt Dich... |
| F | Dm | F | Dm | F | F6 |
| → Chorus |
| Dm | F | |
| Lay down your | arms (Soldier of Love) and surrender to | me |
| (Shala la) |
| Dm | |
| Lay down your | arms (Soldier of Love) and love me |
| F | |
| peaceful | ly (Shala la) Yeah. |
| Dm | Gm |
| Use your arms for loving me. | Baby, that's the way it's |
| F | |
| gotta | be. (ooh-) |
| F | A7 | |
| There | ain't no reason for | you to declare |
| Bb | C7 | F |
| war on the | one that loves you | so. |
| A7 | |
| So forget the other boys because | my love is real. |
| Bb | C7 | F | |
| Come | off your | battle | field. |
| Chorus |
| Lay down your arms (Soldier of Love) and love me peacefully |
| (Shala la) |
| Lay down your arms (Soldier of Love) and love me tenderly |
| (Shala la) Yeah. |
| Use your arms to hold me tight. Baby, I don't wanna fight |
| no more (ooh-) |
| The weapons you're using are hurtin' me bad. |
| But someday you're gonna see. |
| That my love for you baby, is the truest you've ever had. |
| A Soldier of Love, that's hard to be. |
| Chorus |
| Lay down your arms (Soldier of Love) and love me peacefully |
| (Shala la) |
| Lay down your arms (Soldier of Love) and surrender to me |
| (Shala la) Yeah. |
| Use your arms to squeeze and please 'cause I'm the one that |
| loves you so. |
| Dm | F | |
| (Yeah, Soldier of | Love) Baby, lay down your | arms. |
| Dm | F | |
| (Yeah, Soldier of | Love) Baby, lay down your | arms. |
| (Yeah) |
| A | C | D | G | D | A | D |
| Ow! |
| D |
| Some other guy now, has taken my love away from me. Oh |
| G7 | |
| now. |
| D | |
| Some other guy now, has | taken away my sweet desire. Oh |
| now. |
| Some other guy now, I just don't wanna hold my hand. Oh |
| A7 | |
| now. |
| D9 | D | D7 | |
| I'm the lonely one. As lonely as I can | feel | all | right. |
| Some other guy now, is sippin' up the honey like a yellow |
| dog. Oh now. |
| Some other guy now, has taken my love just like I'm gone. |
| Oh now. |
| Some other guy now, has taken my love away from me. Oh |
| now. |
| I'm the lonely one. As lonely as I can feel all right. |
| Oh-oh-hoho. |
| solo: |D | |G | |D | |A7 | | | |D | | | | |
| Some other guy now, is makin' me very very mad. Oh now. |
| Some other guy now, is makin' my past seem oh, so bad. Oh |
| now. |
| Some other guy now, she was the first girl I ever had. Oh |
| now. |
| I'm the lonely one. As lonely as I can feel all right. |
| Oh-oh-hoho. |
| D9 | D | A7 | C | D | |
| I'm a'talkin' to | you, right | now. | Hey, | Ow! | [D7add9] |
| G | Dm7 |
| Let me take you down 'cause I'm going | to Strawberry |
| E7-5 | |
| Fields. → | Nothing is real. |
| C | D | E | |
| And | nothing to | get | hung about. |
| Am7 | D | G | |
| Stawberry Fields | fore | ver. |
| D | D7 | B7 |
| Living is easy with | eyes close | d, |
| Em | C |
| Misunderstanding all you | see. |
| Am7 | D7 | G | Em |
| It's getting | hard to be some | one but it all works | out, |
| Am7 | D7 | C | G | C |
| It doesn't | matter much to | me. |
| Let me take you down 'cause I'm going to Strawberry |
| Fields. → Nothing is real. |
| And nothing to get hung about. |
| Stawberry Fields forever. |
| No one I think is in my tree, |
| I mean it must be high or low. |
| That is, you know you can't tune in but it's all right, |
| That is, I think it's not too bad. |
| Let me take you down 'cause I'm going to Strawberry |
| Fields. → Nothing is real. |
| And nothing to get hung about. |
| Stawberry Fields forever. |
| Always know sometimes think it's me, |
| But you know I know and it's a dream. |
| I think I know of thee, ah, yes but it's all wrong, |
| That is, I think I disagree. |
| Let me take you down 'cause I'm going to Strawberry |
| Fields. → Nothing is real. |
| And nothing to get hung about. |
| Stawberry Fields forever. |
| Chorus |
| G | Dm7 | |
| Let me take you down cause I'm going to |
| strawberry fields. |
| [Bdim7] Nothing is real. |
| C | E | |
| And no | thing to get hu | ng about |
| Cmaj7 | G | |
| Strawberry fields for | ever |
| D | Dmaj7 | D7 | Em | Em/D |
| Living is | easy with | eyes closed | misundersta | nding all |
| C | |
| you | see |
| D7 | G | Em | |
| It's getting | hard to be some | one, but it all works | out |
| C | D | C |
| It doesn't mat | ter much to | me |
| Chorus |
| D | Dmaj7 | D7 | Em | Em/D |
| No one I | think is in | my tree | I mean it | must be high or |
| C | |
| low |
| D7 | G | Em | |
| That is, you | know you can't tune | in, but it's all | right |
| C | D | C |
| That is, I | think it's not too | bad |
| Chorus |
| D | Dmaj7 | D7 | Em |
| Always | know some | times think it's me | but you know I |
| Em/D | C | |
| know and it's a | dream |
| D7 | G | Em | |
| I think I | know of thee, ah, | yes, but it's all | wrong |
| C | D | C |
| That is, I | think I disa | gree |
| Chorus |
| G7 | C | Am | Dm7 | G7 | Dm7 |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | Am | Dm7 | |
| to m | e. |
| G7 | C | Am | Dm7 | G7 | Dm7 |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | G7 | |
| to | me. |
| C | Am | Dm7 | |
| Well I g | ave you everything I | had, but you l | eft me |
| G7 | |
| sitting on my | own. |
| C | Am | Dm7 | |
| Did you | have to treat me oh so | bad, all I | do is hang my |
| G7 | |
| head and m | oan. |
| C | Am | Dm7 | G7 | Dm7 | |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | Am | Dm7 | |
| to m | e. |
| G7 | C | Am | Dm7 | G7 | Dm7 |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | G7 | |
| to | me. |
| C | Am | Dm7 | |
| If it's s | omething that I've said or d | one, tell me w | hat |
| G7 | |
| and I'll apolog | ize. |
| C | Am | Dm7 | |
| If you d | on't I really can't go | on, holding | back these |
| G7 | |
| tears in my e | yes. |
| C | Am | Dm7 | G7 | Dm7 | |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | Am | Dm7 | |
| to m | e. |
| G7 | C | Am | Dm7 | G7 | Dm7 |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | C7 | |
| to | me. |
| F7 | G7 | |
| Well I | beg you on my bended knees, if you'll | only listen |
| Am | |
| to my pleas. → Is there | anything I can do, |
| Dm | G7 | |
| 'Cause I r | eally can't stand it I'm | so in love with |
| C | G7 | |
| y | ou. |
| C | Am | Dm7 | G7 | Dm7 | |
| Tell me w | hy - | - you cried, | and why you l | ied - | - |
| C | Am | Dm7 | |
| to m | e. |
| G7 | C | Am | Dm7 | G7 |
| Tell me w | hy - | - you cried, | and why you l | ied - - |
| Am | Ab | G7 | C | |
| to | me. |
| A |
| Well, that's alright, Mama. That's alright with you. |
| A7 | |
| Yeah, that's alright now, Mama. Just | anyway you do. |
| D7 | E7 | |
| That's al | right, that's alright, that's a | lright my Mama, |
| A | |
| anyway you | do. |
| Well Mama, she done told me. Poppa done told me too. |
| 'Said, "Son, that gal you're foolin' with - she ain't no |
| gal for you". |
| That's alright, that's alright, that's alright my Mama, |
| anyway you do. → Woh. |
| solo: |A | | |A7 |D | |E | |A | | |
| Well, I'm leavin' town, baby. I'm leavin' town for sure. |
| Then you won't be bothered with me hangin' 'round your |
| door. |
| That's alright, that's alright, yeah that's alright my |
| Mama, anyway you do. |
| Well, that's alright, Mama. Yeah, that's alright with |
| you. |
| That's alright now, Mama. Just anyway you do. |
| That's alright, that's alright, that's alright my Mama, |
| anyway you do. → Ooh, ah-hoo. |
| solo |
| A |
| Ya da di dididi, ya da di dididi, ya da di dididi, |
| D7 | |
| I need your | lovin'. |
| E7 | A | |
| That's alright, that's | alright my Mama, anyway you | do. |
| E7 | A | |
| Yeah, that's | alright my Mama, anyway you | do. [A7add9] |
| Chorus |
| C | G | C | Fm | C | Fm | G |
| Hey | Bungalow | Bill | what did you | kill | Bungalow | Bill |
| A | E7 | A | Dm | A | Dm | E7 |
| Hey | Bungalow | Bill | what did you | kill | Bungalow | Bill |
| Am | C | F | G | |
| He | went out tiger | hunting with his | elephant and gun |
| Am | C | F |
| In case of | accidents he | always took his mom |
| Em | G | Am | Fm | |
| He's the | All-American | bullet headed | Saxon mother's | son |
| All the children sing... |
| Chorus |
| Am | C | F | G |
| Deep in the | jungle where the | mighty tiger | lie |
| Am | C | F | G |
| Bill and his | elephants were | taken by sur | prise |
| Em | G | Am | Fm |
| So Captain | Marvel zapped him | right between the | eyes |
| All the children sing... |
| Chorus |
| Am | C | F | G |
| The children | asked him if to | kill was not a | sin |
| Am | C | F | G |
| Not when he | looked so fierce, | his mummy butted | in |
| Em | G | Am |
| If looks could | kill it would have been | us instead of |
| Fm | |
| him → All the children sing... |
| A |
| I think I'm gonna be sad - → I think it's today yeah |
| the girl that's driving me mad |
| Bm | E7 | |
| is going | away |
| F#m | D7 | |
| She's got a ticket to | ride |
| F#m | Gmaj7 | G6 | |
| she's got a ticket to | ri- | hi- [G6#11]hide |
| F#m | E7 | A | |
| she's got a ticket to | ride - but she don't | care |
| She said that living with me |
| is bringing her down yeah → for she would never be free |
| when I was around |
| chorus |
| D7 | |
| I | don't know why she's riding so high |
| E7 | |
| she oughta think twice → she oughta do right by | me |
| D7 |
| Before she gets to saying goodbye |
| E7 | |
| she oughta think twice → she oughta do right by | me |
| repeat and fade |
| A |
| Runnin' to-and-fro, hard. Workin' at the mail. |
| A7 | |
| Never | fail. Get the mail. Yeah, some rotten deal, Ow! |
| D7 | A |
| Too much monkey business. | Too much monkey business. |
| E7 | D7 | |
| Too much monkey business for | me to invite 'em |
| A | E7 | |
| again. |
| Say me. Talkin' to me. Tryin' to run me up a creek. |
| She used to buy one. Try to pay me again next week, Ow! |
| Too much monkey business. Too much monkey business. |
| Too much monkey business for me to invite 'em again. |
| Long-haired, good-lookin'. Tryin' to get me hooked. |
| Or me to marry. Settle down. Get the horn by the bull, |
| Ow! |
| Too much monkey business. Too much monkey business. |
| Too much monkey business for me to invite 'em again. |
| solo:|A | | | |D7 | |A | |E7 |D7 |A |E7 | |
| Mediocre money. Bein' fightin' in the hall. |
| Army bunk, Army go, Army chow, Army cook, Ow! |
| Too much monkey business. Too much monkey business. |
| Too much monkey business for me to invite 'em again. |
| Same thing every day. Gettin' up, goin' to school. |
| No need to make complainin'. My objection's overruled, |
| Ow! |
| Too much monkey business. Too much monkey business. |
| Too much monkey business for me to invite 'em again. |
| Workin' in the fillin' station. Too many tires. |
| Wipe the windows. Check the tire. Check the oil and all |
| the gas, Ow! |
| Too much monkey business. Too much monkey business. |
| Don't want your moderation, get away, leave me. |
| Play with a C F G F chord progression |
| Well shake it up baby now, twist and shout |
| Come on come on come on come on baby , now work it on out |
| Well work it on out , you know you look so good |
| You know you got me goin' now , just like you knew you |
| would |
| Break ||: C F G F :|| x4 |
| Well shake it up baby now, twist and shout |
| Come on come on come on come on baby , now work it on out |
| You know you twist it little girl , you know you twist so |
| fine |
| Come on and twist a little closer now, and let me know that |
| you're mine |
| Well shake it up baby now, twist and shout |
| Come on come on come on come on baby , now work it on out |
| You know you twist it little girl , you know you twist so |
| fine |
| Come on and twist a little closer now, and let me know that |
| you're mine |
| Well shake it shake it shake it baby now |
| Well shake it shake it shake it baby now |
| Well shake it shake it shake it baby now |
| G | C | C/B |
| Two of us riding nowhere, spending someone's | hard | earned |
| Am7 | |
| pay |
| G | C | C/B | Am |
| You and me Sunday driving, not arriving | on | our | way back |
| G | |
| home |
| D | G | D | G | C |
| We're on our way | home, | we're on our way | home, | we're |
| G | |
| going | home |
| G | C | C/B |
| Two of us sending postcards, writing letters | on | our |
| Am7 | |
| wall |
| G | C | C/B | Am7 |
| You and me burning matches, lifting latches | on | our | way |
| G | |
| back | home |
| D | G | D | G | C |
| We're on our way | home, | we're on our way | home, | we're |
| G | |
| going | home |
| Dm | G7 | |
| Bridge → | You and I have | memories |
| Am | Gm | Am | D7 |
| Longer than the | road that stretches | out ahead |
| G | C | C/B |
| Two of us wearing raincoats, standing so low | in | the |
| Am7 | |
| sun |
| G | C | C/B | Am7 |
| You and me chasing paper, getting nowhere | on | our | way |
| G | |
| back | home |
| D | G | D | G | C |
| We're on our way | home, | we're on our way | home, | we're |
| G | |
| going | home |
| Repeat bridge |
| G | C | C/B |
| Two of us wearing raincoats, standing so low | in | the |
| Am7 | |
| sun |
| G | C | C/B | Am7 |
| You and me chasing paper, getting nowhere | on | our | way |
| G | |
| back | home |
| D | G | D | G | C |
| We're on our way | home, | we're on our way | home, | we're |
| G | |
| going | home |
| Repeat intro with whistling |
| Verse 1: |
| G | C | G | G | C |
| Try to see it | my | way. | Do I have to | keep on talking |
| F | G | G | C | G | |
| till I can't go | on → | While you see it | your | way |
| G | C | F | G |
| Run the risk of | knowing that our | love may soon be g | one |
| C | G | C | D |
| We can work it | out, | we can work it | out |
| G | C | G | |
| Verse 2: → | Think of what you're | say | ing |
| G | C | F |
| You can get it wr | ong and still you th | ink that it's all |
| G | G | C | G | |
| ri | ght → | Think of what I'm | say | ing |
| G | C | F |
| We can work it | out and get it st | raight or say |
| G | |
| good | night |
| C | G | C | D |
| We can work it | out, | we can work it | out |
| Chorus |
| Em | Am | B | |
| Life is very short and there's no | tim | e |
| B | Em | D | C | D | |
| For fussing and | fighting my | fri | end |
| Em | Am | B | |
| I have always thought that it's a | crim | e |
| B | Em | D | C | D | |
| So I will | ask you | once a | gain |
| G | C | G |
| Try to see it | my | way |
| G | C | F | G |
| Only time will | tell if I am | right or I am | wrong |
| G | C | G |
| While you see it | your | way |
| G | C | F |
| There's a chance that | we might fall a | part before too |
| G | |
| long |
| C | G | C | D |
| We can work it | out, | we can work it | out |
| Chorus |
| Repeat 1st verse (end on G) |
| G | D7 |
| When I get older, losing my hair, many years from | now, |
| will you still be senting me a Valentine, birthday |
| G | |
| greetings, | bottle of wine? |
| G7 | |
| If I'd been out 'till quarter to three, | would you lock the |
| C | |
| door? |
| Eb7 | G | E7 | A7 | |
| Will you still | need me, | will you still | feed me, | when |
| D7 | G | |
| I'm | sixty- | four? |
| Em | D | Em | |
| Chorus → | Hmm------ | mmm------ | mmmh. |
| Em | B7 |
| You'll be older, | too. |
| Em | Am | C | D7 | G |
| Aaah, and if you | say the word, | I could | stay with | you. |
| I could be handy, mending a fuse, when your lights have |
| gone. |
| You can knit a sweater by the fireside, sunday mornings, go |
| for a ride. |
| Doing the garden, digging the weeds, who could ask for |
| more? |
| Will you still need me, will you still feed me, when I'm |
| sixty four? |
| Chorus |
| Every summer we can rent a cottage in the Isle of Wight if |
| it's not to dear. → We shall scrimp and save. |
| Ah, grandchildren on your knee, Vera, Chuck, and Dave. |
| Send me a postcard, drop me a line stating point of view. |
| Indicate precisely what you mean to say, yours sincerely |
| wasting away. |
| Give me your answer, fill in a form, mine forever more. |
| Will you still need me, will you still feed me, when I'm |
| sixty four? |
| Chords used: |
| G | D | |
| W | hen I get older, loosing my hair, many years from n | ow. |
| Will you still be sending me a Valentine, birthday |
| G | |
| greetings, bo | ttle of → wine? |
| If I've been out till quarter to three, would you lock the |
| C | |
| d | oor? |
| Eb7 | G | E | |
| Will you still n | eed me, w | ill you still f | eed me, |
| A | D7 | G | |
| w | hen I'm si | xty-fo | ur? |
| Em | Em | D | Em | Em | Em | B |
| → | You'll be | older t | oo. |
| Em | Em | Am | Am | C | D7 | G | G |
| Ah! | And if you | say the word | → | I could | stay with | you. |
| G |
| I could be handy mending a fuse, when your lights are |
| D | |
| go | ne. |
| G | |
| You can knit a sweater by the fireside. Sunday morning g | o |
| for a ride. |
| Doing the garden, digging the weeds,who could ask for |
| C | |
| m | ore? |
| Eb7 | G | E | |
| Will you still n | eed me, w | ill you still f | eed me, |
| A | D7 | G | |
| w | hen I'm si | xty-fo | ur? |
| E | D |
| Every summer we can rent a cottage in the | isle of |
| E | Em | |
| Wright → if it's not too d | ear. |
| Em | Em | B | B | Em | Am | Am |
| We shall | shrimp and | save | . → | Grandchildren | on our knees |
| C | D7 | G | G |
| Vera, | Chuck and | Dave | . |
| G | |
| S | end me a postcard, drop me a line, stating point of |
| D | |
| vi | ew. |
| Indicate precisely what you mean to say. Yours sincerely |
| G | |
| wa | sting away. |
| Give me your answer, fill in a form, - mine for ever |
| C | |
| more. |
| Eb7 | G | E | |
| Will you still n | eed me, w | ill you still f | eed me |
| A | D7 | G | |
| w | hen I'm s | ixty-fo | ur. |
| C | G7 |
| When I get older, losing my hair, many years from now |
| G7 |
| Will you still be sending me a valentine, birthday |
| C | |
| greeting, bottle of | wine? |
| C | C7 |
| If I'd been out 'till quarter to three, | would you lock |
| F | |
| the door | ? |
| Ab7 | C/G | A7 | |
| Will you still | need me, | will you still feed | me, |
| D9 | C | Am | G | Am |
| When I'm [G7/6]sixty | four? |
| C |
| I could be handy, mending a fuse, when your lights have |
| G7 | |
| gone |
| G7 |
| You can knit a sweater by the fireside, sunday morning, go |
| C | |
| for a | ride |
| C | C7 |
| Doing the garden, digging the weeds, | who could ask for |
| F | |
| more | ? |
| Ab7 | C/G | A7 | |
| Will you still | need me, | will you still feed | me, |
| D9 | C |
| When I'm [G7/6]sixty | four? |
| Am |
| Every summer we can rent a cottage at the Isle of Wight, |
| G | Am | E | |
| if it's not too dear | → We shall scrimp and | save |
| Am | Dm | F | G | C |
| Grand children | on your knee | Vera, | Chuck and | Dave |
| C |
| Send me a postcard, drop me a line, stating point of |
| G7 | |
| view |
| G7 |
| Indicate precisely what you mean to say, yours sincerely |
| C | |
| wasting | away |
| C | C7 | F |
| Give me an answer, fill in a form, | mine for ever more |
| Ab7 | C/G | A7 | |
| Will you still | need me, | will you still feed | me, |
| D9 | C |
| When I'm [G7/6]sixty | four? Ho! |
| E | Am | Dm | F | |
| You'll be older, | too, ( | ah!) and if you | say the word, | I |
| G | C | G | |
| could | stay with | you |
| C | F | G7 | C |
| Intro |
| Am | Am7/G | Am6/F# | F → Am | G | D | E7 |
| Am | Am7/G | Am6/F# | F | |
| I | look at you | all see the | love there that's | sleeping |
| Am | G | D | E7 |
| While my gui | tar gently | weeps |
| Am | Am7/G | Am6/F# | F | |
| I | look at the | floor and I | see it needs | sweeping |
| Am | G | C | E7 |
| Still my gui | tar gently | weeps |
| A | C#m | F#m | C#m |
| I don't know | why | nobody | told you |
| Bm | E7 |
| how to unfold your [E7/4]love |
| A | C#m | F#m | C#m |
| I don't know | how | someone contr | olled you |
| Bm | E7 |
| They bought and sold [E7/4]you |
| I look at the world and I notice it's turning |
| While my guitar gently weeps |
| With every mistake we must surely be learning |
| Still my guitar gently weeps |
| Solo |
| Am | Am7/G | Am6/F# | F → Am | G | D | E7 |
| Am | Am7/G | Am6/F# | F → Am | G | C | E7 |
| I don't know how you were diverted |
| You were perverted too |
| I don't know how you were inverted |
| No one alerted you. |
| Am | Am7/G | Am6/F# | F | |
| I | look at you | all see the | love there that's | sleeping |
| Am | G | D | E7 |
| While my gui | tar gently | weeps |
| Am | Am7/G | Am6/F# | F |
| ..Look at you | all |
| Am | G | D | E7 |
| Still my gui | tar gently | weeps |
| Solo to the end... |
| C | Dm | |
| Wh | at would you do if I sang | out of tune, |
| G7 | G7 | |
| would you stand | up and walk | out on me? |
| C | Dm | |
| Le | nd me your ears and I'll sing | you a song |
| G7 | G7 | C | |
| and I'll try | not to sing | out of key | . |
| Chorus → Chorus |
| C | Bb | F | C | |
| Oh, I get by | with a little hel | p from my friend | s. |
| Bb | F | C | |
| Oh, I get high | with a little help | from my friends |
| Bb | F | |
| Mm, I'm gonna try | with a little help | from my |
| C | |
| friends. |
| Am7 | D7 | C | Bb | |
| Do you need | anybo | dy? - I ne | ed somebo | dy to love. |
| F | Am7 | D7 | C | Bb | F | |
| Could it be | anybo | dy? - I | want somebo | dy to love. |
| What do I do when my love is away, |
| does it worry you to be alone? |
| How do I feel by the end of the day, |
| are you sad because you're on your own? |
| Chorus |
| Would you believe in a love at first sight? |
| Yes, I'm certain that it happens all the time. |
| What do you see when you turn out the light? |
| I can't tell you but I know it's mine. |
| Chorus |
| Capo 2nd fret |
| D | A | Em | |
| Wh | at would you | do if I sang | out of tune, |
| A7 | D | |
| would you stand up and | walk out on | me? |
| A | Em | |
| Lend me your | ears and I'll | sing you a song |
| A | A7 | D | |
| and I'll | try not to | sing out of | key. |
| Chorus → Chorus |
| C | G | D | |
| Oh, I get | by with a little | help from my | friends. |
| C | G | D | |
| Oh, I get | high with a little | help from my | friends |
| C | G | |
| Mm, I'm gonna | try with a little | help from my |
| D | A7 | |
| friends. | (only 1st chorus) |
| What do I do when my love is away, |
| does it worry you to be alone? |
| How do I feel by the end of the day, |
| are you sad because you're on your own? |
| Chorus |
| Bm7 | E7 | D | C | G | |
| Do you | need any | body? - I | need some | body to | love. |
| Bm7 | E7 | D | C | G | |
| Could it | be any | body? - I | want some | body to | love. |
| Would you believe in a love at first sight? |
| Yes, I'm certain that it happens all the time. |
| What do you see when you turn out the light? |
| I can't tell you but I know it's mine. |
| Chorus |
| Bm7 | E7 | D | C | G | |
| Do you | need any | body? - I | need some | body to | love. |
| Bm7 | E7 | D | C | G | |
| Could it | be any | body? - I | want some | body to | love. |
| C | G | D | |
| Oh, I get | by with a little | help from my | friends. |
| C | G | D | |
| Mm, I'm gonna | try with a little | help from my | friends. |
| D | C |
| Yes I get | by with a little help from my friends, |
| G | Bb | Gm6 | D |
| with a little help from my friends |
| D | C | G | |
| In the | town where | I was | born |
| Em | Am | D |
| Lived a | man who sailed the | sea. |
| C | G | Em | Am | D | |
| And he told us | of his | life → | In the | land of subma | rines. |
| So we sailed up to the sun |
| 'Till we found the sea of green, |
| And we lived beneath the waves |
| In our yellow submarine. |
| G | D | |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| G | D | |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| And our friends are all aboard, |
| Many more of them live next door, |
| And the band begins to play. |
| We all live in a yellow submarine, |
| Yellow submarine, yellow submarine. |
| We all live in a yellow submarine, |
| Yellow submarine, yellow submarine. |
| As we live a life of ease, |
| Everyone of us has all we need. |
| Sky of blue and sea of green → In our yellow submarine. |
| We all live in a yellow submarine, |
| Yellow submarine, yellow submarine. |
| We all live in a yellow submarine, |
| Yellow submarine, yellow submarine. |
| G | D | C | G |
| In the | town where | I was | born |
| Em | Am | Cmaj7 | D |
| Lived a | man who | sailed the | sea. |
| G | D | C | G | Em | Am | Cmaj7 | D |
| And he | told us | of his | life → | In the | land of | subma | rines. |
| G | D | C | G |
| So we | sailed up | to the | sun |
| Em | Am | Cmaj7 | D |
| Till we | found the | sea of | green, |
| G | D | C | G |
| And we | lived be | neath the | waves |
| Em | Am | Cmaj7 | D |
| In our | yellow | subma | rine. |
| Chorus |
| G | D |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| D | |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| D | C | G | |
| And our | friends are | all on | board, |
| Em | Am | Cmaj7 | D |
| Many | more of them | live next | door, |
| G | D | C | G |
| And the | band be | gins to | play: |
| Chorus |
| G | D |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| D | |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| D | C | G | |
| As we | live a | life of | ease, |
| Em | Am | Cmaj7 | D |
| Every | one of us | has all we | need. |
| G | D | C | G | Em | Am | Cmaj7 | D |
| Sky of | blue and | sea of | green → | In our | yellow | subma | rine. |
| Chorus |
| G | D |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| D | |
| We all live in a | yellow submarine, |
| G | |
| Yellow submarine, | yellow submarine. |
| C | |
| Y | esterday, |
| E7 | Am |
| All my troubles seemed so | far away, |
| F | G7 | C |
| Now it s | eems as though they're h | ere to stay, |
| Am | F | C | |
| Oh, | I beli | eve in yest | erday. |
| Suddenly, |
| I'm not half the man I used to be, |
| There's a shadow hanging over me, |
| Oh, yesterday came suddenly. |
| E7 | Am | G7 | F |
| Why she | had | to g | o, |
| G7 | C | |
| I don't k | now, she wouldn't s | ay. |
| Am | E7 | Am | E7 | F | G7 | C |
| I sa | id s | ometh | ing w | rong, → Now I l | ong for yeste | rday. |
| Yesterday, |
| Love was such an easy game to play, |
| Now I need a place to hide away, |
| Oh, I believe in yesterday. |
| Why she had to go, |
| I don't know, she wouldn't say. |
| I said something wrong, → Now I long for yesterday. |
| Yesterday, |
| Love was such an easy game to play, |
| Now I need a place to hide away, |
| Oh, I believe in yesterday. |
| C | E | E7 | Am | G | F | |
| Y | esterday, | all my | troubles seemed so | far away, |
| G7 | C | |
| Now it l | ooks as though they're h | ere to stay, |
| G | Am | D7 | F | C |
| Oh, | I beli | eve in | yester | day. |
| C | E | E7 | Am | G | F |
| Suddenly, | I'm not | half the man I | used to be, |
| G7 | C | |
| There's a | shadow hanging | over me, |
| G | Am | D7 | F | C |
| Oh, y | ester | day came | sudden | ly. |
| E | E7 | Am | G | F | |
| {soc:} → | Why | she | had | to g | o, |
| G | C | |
| I don't k | now, she wouldn't s | ay. |
| E | E7 | Am | G | F | G | C |
| I sa | id s | ometh | ing w | rong, → Now I l | ong for yester | day. |
| {eoc:} |
| C | E | E7 | Am | G | F |
| Yesterday, | love was | such an easy | game to play, |
| G7 | C | |
| Now I | need a place to | hide away, |
| G | Am | D7 | F | C |
| Oh, | I bel | ieve in | yester | day. |
| E | E7 | Am | G | F | |
| {soc:} → | Why | she | had | to g | o, |
| G | C | |
| I don't k | now, she wouldn't s | ay. |
| E | E7 | Am | G | F | G | C |
| I sa | id s | ometh | ing w | rong, → Now I l | ong for yester | day. |
| {eoc:} |
| C | E | E7 | Am | G | F |
| Yesterday, | love was | such an easy | game to play, |
| G7 | C | |
| Now I | need a place to | hide away, |
| G | Am | D7 | F | C |
| Oh, | I bel | ieve in | yester | day. |
| G | Am | D7 | F | C |
| Mmm, | mm, | mm, mm, | mm | mm. |
| F | Em7 | A7 | Dm | Bm7 |
| Yesterday, | all my | troubles seemed so | far away |
| Bb | C7 | F | C | Dm |
| Now it | looks as though they're | here to stay, | oh | I |
| G | Bb | F | |
| believe | in | yester | day |
| F | Em7 | A7 | Dm | Bm7 |
| Suddenly, | I'm not | half the man I | used to be |
| Bb | C7 | F | Dm | G |
| Theres a | shadow hanging | over me, oh | yester | day came |
| Bb | F | |
| sudden | ly |
| Bridge |
| Em7 | A7 | Dm | C | Bb | Dm | Gm |
| Why | she | had | to | go | I dont | know she |
| C | F | |
| wouldnt | say |
| Em7 | A7 | Dm | C | Bb | Dm | Gm |
| I | said | some | thing | wrong | now I | long for |
| C | F | |
| yester | day |
| F | Em7 | A7 | Dm | Bm7 |
| Yesterday, | love was | such an easy | game to play |
| Bb | C | F | C | Bb | G |
| Now I | need a place to | hide away, | oh | I be | lieve in |
| C | F | |
| yester | day |
| Repeat bridge |
| F | Em7 | A7 | Dm | Bm7 |
| Yesterday, | love was | such an easy | game to play |
| Bb | C | F | C | Bb | G |
| Now I | need a place to | hide away, | oh | I be | lieve in |
| C | F | F | G | Bb | F | |
| yester | day → | Mm mm | mm mm | mm |